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In Strauss’ debut novel, Casey Donavan must deal with all the average problems of the average, modern teenage girl: body image issues, mean girls at school, an impossible crush—and spontaneous time travel.

Within the opening paragraphs of this YA romance, the reader learns about Casey’s time-traveling woes. Casey tells the reader herself, in fact, using the same sarcastic, witty first-person voice consistently maintained throughout the book. First-person perspective done right makes a protagonist seem more accessible, and Strauss certainly does it right with Casey. Aside from her secret time-traveling troubles, Casey must also deal with all the relatable drama that often defines one’s teenage years. But if she thought that balancing her two separate lives proved difficult before, it only gets harder after her two worlds collide; she accidentally takes her crush—school heartthrob and star athlete Nate Mackenzie—back in time with her, and the whole situation leaves him feeling more than a little unnerved. All things considered, though, he adapts remarkably well to this strange set of circumstances and the unusual girl responsible for them—which is fortunate, considering the fact that Casey accidentally drags him back to the 1860s nearly every time they touch. The two of them must determine the nature of their unexpected relationship while navigating turbulent times together. Strauss successfully addresses the societal differences between then and now, providing enough detail to make the characters’ actions seem plausible without overwhelming the reader with too much historical information. The author addresses the difficult topic of time travel in a similarly balanced manner, leaving the phenomenon just vague enough to prevent too many sticky questions from popping up. The lack of detail in some portions of the novel make a few scenes seem rushed, however, and may leave readers wishing they had more to mull over. Readers who “trip” back in time with Casey will wish they could stay longer in her strangely relatable place.

 

Pub Date: Oct. 17, 2011

ISBN: 978-1466440968

Page Count: 292

Publisher: CreateSpace

Review Posted Online: Feb. 28, 2012

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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CARAVAL

From the Caraval series , Vol. 1

Immersive and engaging, despite some flaws, and destined to capture imaginations.

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Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 18, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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