Nothing new here.
After six months on a Farm where teens are raised to feed the vampire-mutant Ticks, Lily has a plan to escape with her autistic twin sister, Mel.
Unbeknownst to Lily, her plan is doomed. Luckily, Carter, a boy she knew in the Before, shows up in the nick of time to tell her what to do instead. The story is narrated in three voices. Lily's voice gets the lion's share. Mel's voice—less the voice of a genuine autistic person and more florid riddle-talk—narrates a few short snippets. In Carter's chapters, which are, disconcertingly, written in third person, readers hear that Lily has the special thought-controlling powers of an abductura, though the nature of those powers and the dubious sources of Carter's information take a long time to be revealed. At every turn, Lily is punished for being self-reliant: Not only do readers learn her escape plot would have failed, but the actions she takes in self-defense, such as breaking one of Carter's tranquilizer darts after he has shot her with another, consistently backfire. A few tense action scenes and some by-the-book romantic tension aren't enough to outweigh the book's distasteful message: Do as you're told, girls, and leave the planning and fighting to the boys.
Nothing new here. (Science fiction. 12-16)Pub Date: Dec. 4, 2012
ISBN: 978-0-425-25780-7
Page Count: 432
Publisher: Berkley
Review Posted Online: Oct. 30, 2012
Kirkus Reviews Issue: Nov. 15, 2012
BOOK REVIEW
PROFILES
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An eerie thriller reminiscent of summer horror movies that will keep readers on edge.
Two teens with a dark secret return to their old summer camp.
Childhood friends Esme and Kayla can’t wait to return to Camp Pine Lake as counselors-in-training, ready to try everything they couldn’t do when they were younger: find cute boys, stay up late, and sneak out after hours. Even Andy, their straight-laced supervisor, can’t dampen their excitement, especially after they meet the crushworthy Olly and Jake. An intuitive 17-year-old, Esme is ready to jump in and teach her cute little campers. But when a threatening message appears, Esme and Kayla realize the secret they’ve kept hidden for nearly a decade is no longer safe. Paranoia and fear soon cause Esme and Kayla to revisit their ominous secret and realize that nobody in the camp can be trusted. The slow buildup of suspense and the use of classic horror elements contrast with lighthearted camp activities, bonding with new friends, and budding romance. Similarly, Esme’s first-person point of view allows for increased tension and action as well as offering insight into her emotional and mental well-being. Discussions of adulthood, trauma, and recovery are subtle and realistic, but acts of sexism and machismo aren’t fully analyzed. While the strong buildup of action comes late, it leads to a shockingly satisfying finale. Major characters are White.
An eerie thriller reminiscent of summer horror movies that will keep readers on edge. (Thriller. 12-16)Pub Date: March 2, 2021
ISBN: 978-0-593-12497-0
Page Count: 384
Publisher: Delacorte
Review Posted Online: Dec. 9, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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