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POSTER CHILD

A MEMOIR

Rapp has excelled again: This book is a blessing.

Mature and graceful debut memoir about a childhood struggle to be perfect.

Born with a congenital bone and tissue disorder, the author had her left foot amputated when she was four and was fitted with an expensive, ugly prosthesis; at eight, after several operations, her entire left leg was removed. Rapp devoted her childhood to excelling, to being brave and smart: If I do everything just right, she reasoned, maybe I can make up for that missing leg. Despite her handicap, she biked and swam. She reveled in the compliments of the ladies at church, always clucking about her courage. She loved being told that she was an “inspiration.” But as she entered adolescence, Rapp became more self-conscious. In particular, she worried that she would never catch a man. (She writes with elegance of losing her virginity.) Granted, she had good material to work with. Most people just have to grapple with getting the condom packet open; she had to decide whether or not to remove her leg. During college, her stoicism began to fray, and she wavered under the burden of her own attempts at perfection. In search of a new framework for thinking about disability, she discovered bold theologians who argue that a broken body—Jesus’ broken body—sits at the center of Christianity. This should not be viewed only as a disability memoir. It is also a story of the 1970s and ’80s (the author’s recreation of a popular culture that included stonewashed jeans and too much eyeliner is spot-on), a spiritual memoir of the movement from childhood pieties to adult faith and a confession that will resonate with anyone who spent their youth overcompensating, for whatever reason.

Rapp has excelled again: This book is a blessing.

Pub Date: Jan. 1, 2007

ISBN: 1-59691-256-1

Page Count: 240

Publisher: Bloomsbury

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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