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VIDA CLANDESTINA

MY LIFE IN THE CUBAN REVOLUTION

A rare and valuable insider's take.

Castro’s Deputy Minister of Fisheries and Merchant Marine recounts his role as a secret revolutionary among the middle classes in the cities and plains of 1950s Cuba.

Born the son of a well-to-do shoe manufacturer in central Cuba, sent to Miami to study engineering in the early ’50s, Oltuski was groomed to be a solid member of Cuba's upper-middle classes. Despite his parents’ best efforts and his father's protests that a revolution was no place for Jews, however, Enrique was a revolutionary at heart, dedicated to social justice and the overthrow of military dictator Batista. After his graduation in 1954, Otulski joined the movement in earnest, first in Miami, where he attempted to secure arms for the struggle, and then in Cuba, where as a traveling executive with Shell Oil he was perfectly placed to spread propaganda, organize strikes, and plant the occasional bomb. The author rose through the ranks to join those who had contact with the revolution's superstars, Fidel Castro and Che Guevara. Oltuski's less glamorous station was in the plains, where he and his comrades were kept busy “collecting money, supplying arms and clothing, committing acts of sabotage, executing enemies, producing underground newspapers, recruiting and organizing members of the revolutionary movement.” Through his tale of secret meetings, assignments, committees, and endless discussions of revolutionary theory, Oltuski is able to elucidate the messy progression of the uprising; woven among the sometimes dry political details are the author's recollections of youthful partying, womanizing, and marriage. We end the story with our man in place as an utterly unqualified but highly enthusiastic minister of communications; an epilogue noting his current position attests to his political staying power.

A rare and valuable insider's take.

Pub Date: Sept. 1, 2002

ISBN: 0-7879-6169-8

Page Count: 336

Publisher: Wiley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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