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BEFORE I WAKE

In an effective stalker shocker from the pseudonymous Bowman, a New York City cop helps out a homicidal author who's committing the very murders the cop is trying to solve—and it's anyone's guess as to who'll be the last man left alive. At the behest of his image-minded superiors, Manhattan-based detective James Montone meets with Terry Keyes, a personable Brit allegedly researching a new book on lawbreaking American-style. An ex-con who did 12 tears for manslaughter in England, Keyes wrote one bestseller while still behind bars and another after his parole. The past notwithstanding, the limey and the good-guy Yank hit it off. Montone soon invites Keyes to tag along on his next case, which turns out to be the high-profile demise of a TV anchor who died in a plunge from an Upper East Side apartment. Though the newscaster taped a suicide message, the NYPD suspect foul play. A dogged rather than inspired investigator, Montone confides some unreleased details of the death to the ingratiating Keyes. When a lovely young model with whom Montone has been keeping company is found hanged, he starts to wonder about his new best friend. Montone's suspicions are soon confirmed by Peter Henshaw, the retired Scotland Yard inspector who put Keyes away and opposed his release on grounds that he's a hopeless sociopath. Montone accompanies his principal suspect to Miami for the dead girl's funeral. With a big assist from his Florida colleagues, the Big Apple sleuth keeps a close watch on Keyes, whom he fears may make an attempt on the life of Holly's big sister Erin (a clinical psychologist with a professional interest in criminals). A master of disguise, Keyes gives everyone the slip, even faking his own death, but the remorseless Keyes can't escape a final rendezvous with the determined Montone. Top-drawer entertainment for devotees of the dangerous-games genre.

Pub Date: May 5, 1997

ISBN: 0-399-14263-0

Page Count: 304

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1997

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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