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THE AGE OF INSIGHT

THE QUEST TO UNDERSTAND THE UNCONSCIOUS IN ART, MIND, AND BRAIN, FROM VIENNA 1900 TO THE PRESENT

A transformative work that joins the hands of Art and Science and makes them acknowledge their close kinship.

In a polymathic performance, a Nobel laureate weaves together the theories and practices of neuroscience, art and psychology to show how our creative brains perceive and engage art—and are consequently moved by it.

Kandel (Biochemistry and Biophysics/Columbia Univ. College of Physicians; In Search of Memory, 2006, etc.) is uniquely equipped for this vast task. Born in Vienna, a collector of Klimt and Kokoschka, a scientist of the first rank, the author possesses in abundance the myriad requirements for such an integrative enterprise. Moving seamlessly and effortlessly between the worlds of art and science, Kandel begins with a look at the art world of Vienna, 1900. Then it’s off to Freud, whose theories and discoveries the author treats with great respect, awarding credit where it’s due, noting but not condemning errors. Kandel also glances at innovations in literature, especially the technique of interior monologue pioneered by Arthur Schnitzler in his Lieutenant Gustl (1900). Some sexy chapters ensue as Kandel discusses sexuality in art, and sex remains a leitmotif. He looks at how painters reveal the interior states of their subjects, and he examines the theories and discoveries of neuroscientists—though he continually returns to the art world for illustration, elaboration and example. Kandel reminds us that the brain creates the world for us: Our poor eyes bring in only a fraction of what’s there; the brain assembles and interprets, using memory as a principal guide. Readers will also learn how artists can make a subject’s eyes seem to follow the viewer, how scientists have used animals and imaging to explore the brain, and how artists employ models’ faces, hands and attitude to affect us, to prompt our empathy. In addition, Kandel investigates the nature of creativity.

A transformative work that joins the hands of Art and Science and makes them acknowledge their close kinship.

Pub Date: March 27, 2012

ISBN: 978-1-4000-6871-5

Page Count: 448

Publisher: Random House

Review Posted Online: Dec. 17, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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THINKING, FAST AND SLOW

Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our...

A psychologist and Nobel Prize winner summarizes and synthesizes the recent decades of research on intuition and systematic thinking.

The author of several scholarly texts, Kahneman (Emeritus Psychology and Public Affairs/Princeton Univ.) now offers general readers not just the findings of psychological research but also a better understanding of how research questions arise and how scholars systematically frame and answer them. He begins with the distinction between System 1 and System 2 mental operations, the former referring to quick, automatic thought, the latter to more effortful, overt thinking. We rely heavily, writes, on System 1, resorting to the higher-energy System 2 only when we need or want to. Kahneman continually refers to System 2 as “lazy”: We don’t want to think rigorously about something. The author then explores the nuances of our two-system minds, showing how they perform in various situations. Psychological experiments have repeatedly revealed that our intuitions are generally wrong, that our assessments are based on biases and that our System 1 hates doubt and despises ambiguity. Kahneman largely avoids jargon; when he does use some (“heuristics,” for example), he argues that such terms really ought to join our everyday vocabulary. He reviews many fundamental concepts in psychology and statistics (regression to the mean, the narrative fallacy, the optimistic bias), showing how they relate to his overall concerns about how we think and why we make the decisions that we do. Some of the later chapters (dealing with risk-taking and statistics and probabilities) are denser than others (some readers may resent such demands on System 2!), but the passages that deal with the economic and political implications of the research are gripping.

Striking research showing the immense complexity of ordinary thought and revealing the identities of the gatekeepers in our minds.

Pub Date: Nov. 1, 2011

ISBN: 978-0-374-27563-1

Page Count: 512

Publisher: Farrar, Straus and Giroux

Review Posted Online: Sept. 3, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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THE ART OF THINKING CLEARLY

Hiccups aside, a mostly valuable compendium of irrational thinking, with a handful of blanket corrective maneuvers.

A waggish, cautionary compilation of pitfalls associated with systematic cognitive errors, from novelist Dobelli.

To be human is to err, routinely and with bias. We exercise deviation from logic, writes the author, as much as, and possibly more than, we display optimal reasoning. In an effort to bring awareness to this sorry state of affairs, he has gathered here—in three-page, anecdotally saturated squibs—nearly 100 examples of muddied thinking. Many will ring familiar to readers (Dobelli’s illustrations are not startlingly original, but observant)—e.g., herd instinct and groupthink, hindsight, overconfidence, the lack of an intuitive grasp of probability or statistical reality. Others, if not new, are smartly encapsulated: social loafing, the hourly rate trap, decision fatigue, carrying on with a lost cause (the sunk-cost fallacy). Most of his points stick home: the deformation of professional thinking, of which Mark Twain said, “If your only tool is a hammer, all your problems will be nails”; multitasking is the illusion of attention with potentially dire results if you are eating a sloppy sandwich while driving on a busy street. In his quest for clarity, Dobelli mostly brings shrewdness, skepticism and wariness to bear, but he can also be opaque—e.g., shaping the details of history “into a consistent story...we speak about ‘understanding,’ but these things cannot be understood in the traditional sense. We simply build the meaning into them afterward.” Well, yes. And if we are to be wary of stories, what are we to make of his many telling anecdotes when he counsels, “Anecdotes are a particularly tricky sort of cherry picking....To rebuff an anecdote is difficult because it is a mini-story, and we know how vulnerable our brains are to those”?

Hiccups aside, a mostly valuable compendium of irrational thinking, with a handful of blanket corrective maneuvers.

Pub Date: May 14, 2013

ISBN: 978-0-06-221968-8

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: March 5, 2013

Kirkus Reviews Issue: April 1, 2013

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