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THE AGE OF INSIGHT

THE QUEST TO UNDERSTAND THE UNCONSCIOUS IN ART, MIND, AND BRAIN, FROM VIENNA 1900 TO THE PRESENT

A transformative work that joins the hands of Art and Science and makes them acknowledge their close kinship.

In a polymathic performance, a Nobel laureate weaves together the theories and practices of neuroscience, art and psychology to show how our creative brains perceive and engage art—and are consequently moved by it.

Kandel (Biochemistry and Biophysics/Columbia Univ. College of Physicians; In Search of Memory, 2006, etc.) is uniquely equipped for this vast task. Born in Vienna, a collector of Klimt and Kokoschka, a scientist of the first rank, the author possesses in abundance the myriad requirements for such an integrative enterprise. Moving seamlessly and effortlessly between the worlds of art and science, Kandel begins with a look at the art world of Vienna, 1900. Then it’s off to Freud, whose theories and discoveries the author treats with great respect, awarding credit where it’s due, noting but not condemning errors. Kandel also glances at innovations in literature, especially the technique of interior monologue pioneered by Arthur Schnitzler in his Lieutenant Gustl (1900). Some sexy chapters ensue as Kandel discusses sexuality in art, and sex remains a leitmotif. He looks at how painters reveal the interior states of their subjects, and he examines the theories and discoveries of neuroscientists—though he continually returns to the art world for illustration, elaboration and example. Kandel reminds us that the brain creates the world for us: Our poor eyes bring in only a fraction of what’s there; the brain assembles and interprets, using memory as a principal guide. Readers will also learn how artists can make a subject’s eyes seem to follow the viewer, how scientists have used animals and imaging to explore the brain, and how artists employ models’ faces, hands and attitude to affect us, to prompt our empathy. In addition, Kandel investigates the nature of creativity.

A transformative work that joins the hands of Art and Science and makes them acknowledge their close kinship.

Pub Date: March 27, 2012

ISBN: 978-1-4000-6871-5

Page Count: 448

Publisher: Random House

Review Posted Online: Dec. 17, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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THE CULTURE MAP

BREAKING THROUGH THE INVISIBLE BOUNDARIES OF GLOBAL BUSINESS

These are not hard and fast rules, but Meyer delivers important reading for those engaged in international business.

A helpful guide to working effectively with people from other cultures.

“The sad truth is that the vast majority of managers who conduct business internationally have little understanding about how culture is impacting their work,” writes Meyer, a professor at INSEAD, an international business school. Yet they face a wider array of work styles than ever before in dealing with clients, suppliers and colleagues from around the world. When is it best to speak or stay quiet? What is the role of the leader in the room? When working with foreign business people, failing to take cultural differences into account can lead to frustration, misunderstanding or worse. Based on research and her experiences teaching cross-cultural behaviors to executive students, the author examines a handful of key areas. Among others, they include communicating (Anglo-Saxons are explicit; Asians communicate implicitly, requiring listeners to read between the lines), developing a sense of trust (Brazilians do it over long lunches), and decision-making (Germans rely on consensus, Americans on one decider). In each area, the author provides a “culture map scale” that positions behaviors in more than 20 countries along a continuum, allowing readers to anticipate the preferences of individuals from a particular country: Do they like direct or indirect negative feedback? Are they rigid or flexible regarding deadlines? Do they favor verbal or written commitments? And so on. Meyer discusses managers who have faced perplexing situations, such as knowledgeable team members who fail to speak up in meetings or Indians who offer a puzzling half-shake, half-nod of the head. Cultural differences—not personality quirks—are the motivating factors behind many behavioral styles. Depending on our cultures, we understand the world in a particular way, find certain arguments persuasive or lacking merit, and consider some ways of making decisions or measuring time natural and others quite strange.

These are not hard and fast rules, but Meyer delivers important reading for those engaged in international business.

Pub Date: May 27, 2014

ISBN: 978-1-61039-250-1

Page Count: 288

Publisher: PublicAffairs

Review Posted Online: April 15, 2014

Kirkus Reviews Issue: May 1, 2014

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