by Frank Conroy ‧ RELEASE DATE: April 22, 2002
Seemingly effortless, entirely transportive.
Essays old and new from writer’s writer Conroy (Body and Soul, 1993, etc.), who eschews fireworks in favor of the dead-on observation as he considers topics ranging from fatherhood to the Rolling Stones to leaving New York.
The author kicks off this collection of pieces spanning 30 years with a few anecdotes that got left out of the original published versions (in periodicals ranging from the New York Times Magazine to GQ). There was the time he went to movie actor Steve McQueen's house to do an interview for Esquire and found the actor stark naked; and Conroy's profile of the Rolling Stones went a lot smoother after an accidental jam session with drummer Charlie Watts, even though Mick Jagger was a “narcissistic egomaniac” (another observation that never made it into print). The writer quickly moves away from these quirky celebrity moments to circle around to a more intimate topic: himself. We learn of young Conroy's relationship with his mostly absent father, conducted almost entirely through Frank’s absorption in Dad’s book collection. We read about the author’s obsession with scouting, which endured until a pivotal moment of disillusionment in Madison Square Garden. We continue through his personal life, learning of his failed first marriage, his departure from New York, and his meeting his second wife on the road to a garbage dump. The centerpiece here is an essay about the Iowa Writers’ Workshop (of which Conroy is director) that distills his philosophy and approach into 14 tight pages. Among the typically laconic comments: “Writing is a mixture of knowing what you're doing and not knowing what you're doing.” The collection’s final third focuses on Conroy's jazz writing; in his account of sitting in on keyboards as a teenager at Sugar Ray's in Harlem, the “pure glee of a kid jumping up and down on the theater seat” leaps off the page.
Seemingly effortless, entirely transportive.Pub Date: April 22, 2002
ISBN: 0-618-15468-X
Page Count: 240
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2002
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edited by Frank Conroy
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by Frank Conroy
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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