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SHANNON

A well-crafted, satisfying work of historical fiction, as are all of Delaney’s novels; respectful of the facts while not...

A rousing tale of forbidden love, civil war, horrible death and other things Irish.

Ireland-born novelist Delaney (Tipperary, 2007, etc.) never met a turning point in the Emerald Isle’s history that he didn’t like. With this entry in his ongoing epic cycle of novels, he turns to a big one: the bloody strife that accompanied the birth of the Irish Free State in 1922 and ’23. American priest Robert Shannon lands on Ireland’s shore just as the bullets start flying, and bad luck for him: A former chaplain serving with the U.S. Marines in France during World War I, he suffers from a textbook case of shell shock. That malady occasions a characteristically encyclopedic aside from Delaney, just as the book opens, on the etiology and management of posttraumatic stress—and readers who dislike didacticism should be warned that his narrative often pauses to break the fourth wall and explain what’s what: “One of the symptoms of their illness…is a morbid irritability—they tend to become upset and to take offense at the merest trifles—and this leads to trouble with the other patients, the nurses, and the medical officers responsible for discipline.” Morbid irritability being an Irish specialty, Shannon fits right in with the village folk he is called to serve, out in the country in which, the locals say, Saint Patrick himself was afraid to wander. Shannon restructures his shattered life while wandering in places where he’s not supposed to, including the arms of a widow lady—but it would be spoiling things to tell, save to note that Delaney explains, “In the Ireland of 1922, virginity dominated the lives of single women, and the relevant fire and brimstone rained down every Sunday from pulpits all over the country.” How this transgression resolves, and how Shannon manages to keep from cracking up in his war-torn adopted country, makes for a fine adventure in storytelling.

A well-crafted, satisfying work of historical fiction, as are all of Delaney’s novels; respectful of the facts while not cowed by them, and full of life.

Pub Date: Feb. 10, 2009

ISBN: 978-1-4000-6525-7

Page Count: 432

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2008

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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