This book will not only thoroughly entertain everyone who reads it; it is the most immaculate takedown of slut-shaming in...
When a young political intern in South Florida has an affair with her boss, it leads to disaster—at least at first.
The best thing to come out of the Monica Lewinsky scandal since Lewinsky’s own magnificent TED talk, Zevin’s (The Storied Life of A.J. Fikry, 2014, etc.) fourth adult novel reinvents the familiar story more cleverly and warmly than one would have thought possible. Five sections come at the situation from different angles. The first is called “Bubbe Meise” ("Old Wives’ Tale" in Yiddish), and in it we hear the delightful old-Jewish-lady voice of Rachel Shapiro, a South Floridian who’s dipping her toe into online dating. She’s on a date that’s going quite well until the fellow asks her daughter’s name, and she tells him it’s Aviva, and he remarks that that was the name of that awful girl who got in trouble with Congressman Levin back in 2001. “You really don’t remember her? Well, Rach, she was like Monica Lewinsky.…It was a blight on South Florida, a blight on Jews, a blight on politicians if that’s even possible, a blight on civilization in general.” That's the end of that beautiful relationship. Rachel gives us the outlines of the debacle, after which her daughter disappeared, 13 years ago now. “I have a cell phone number. She calls me once or twice a year. I believe I have a grandchild. Yes, I would call this a sadness in my life.” To reveal more would be to give away too much, since part of the joy here is the unexpected way the story unfolds. I can tell you, as Rachel Shapiro might say, that you will hear from the eponymous Jane Young, who's a wedding planner in a small town in Maine, and that one of the sections is an adroit takeoff on the structure of the Choose Your Own Adventure books, also seen recently in Nathan Hill’s The Nix. Must be generational. References to Monica Lewinsky herself are a running theme, recalling the brutal true story underlying this delicious fictional one.
This book will not only thoroughly entertain everyone who reads it; it is the most immaculate takedown of slut-shaming in literature or anywhere else. Cheers, and gratitude, to the author.Pub Date: Aug. 22, 2017
ISBN: 978-1-61620-504-1
Page Count: 320
Publisher: Algonquin
Review Posted Online: May 14, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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