by Garry Wills ‧ RELEASE DATE: June 6, 2000
An invigorating read that is sure to spark controversy.
Popes used to sin openly, and Catholics knew it, writes Pulitzer Prize-winner Wills (John Wayne’s America, 1997, etc.) in his new study of contemporary Catholicism. Take Pope John XII from the tenth century. Because of family connections, he became pope as a “dissolute teenager” and died a few years later in a married woman’s bed. But today Catholics are hung up on the idea that the Vatican can do no wrong—and that idea, says Wills, may destroy the church. In his briskly written polemic, Wills argues that the Vatican is out of touch. He is especially interested in the question of clerical celibacy: thousands of clerics have left the priesthood in order to get married, leaving the church with a disproportionate number of homosexual priests. Even those who have stayed wish the Vatican would allow priests to marry—and, Wills suggests, this may account for the high number of priests who do not keep their vows of chastity, but get involved in emotional and sexual relationships with women that they cannot really sustain. Wills also takes on abortion, questioning the Vatican’s assertion that life and “ensoulment” begin at conception. But even when it seems the best thing to do, admits Wills, abortion is never ideal, and “It should be avoided, principally by all safe measures of birth control—the one effective anti-abortion measure the Vatican will not allow.”
An invigorating read that is sure to spark controversy.Pub Date: June 6, 2000
ISBN: 0-385-49410-6
Page Count: 304
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2000
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by Robert Greene ‧ RELEASE DATE: Sept. 1, 1998
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.
The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
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BOOK TO SCREEN
by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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