In attuned counterpoint, Golio and Gutierrez present a portrait of John Coltrane’s lifelong quest to discover and share his spiritual truth through music.
Beginning with John’s 12th year, Golio traces his religious roots: Grandfather Blair, a Methodist minister, headed a household that included John’s parents, aunt and cousin. Within two years, his grandparents, father and uncle died, splintering the family. In one bright spot, a pastor began a community band, leading to a borrowed sax and lessons for John. His musical gift bloomed amid loneliness and setbacks. Touring’s pressures led to alcohol and drug dependence. Golio continuously weaves such biographical details into the tapestry of spiritual longing that characterized Coltrane’s life. “He began falling asleep onstage. Or showing up late, only to be fired. Part of him stood in the darkness, while another part was searching for the light.” Gutierrez’s full-bleed acrylic paintings pulse with emotional intensity and iconic religious images; Coltrane is often shown with a halo or wings. Expressionist color channels Coltrane’s psychic life: His hobby-filled childhood is sweet potato pie–sunny; a scene of drug withdrawal is moonlit black. Portraits of jazz influences—Dizzy, Duke, Bird—appear throughout. Coltrane’s spiritual apex, a vision coinciding, Golio notes, with the development of his masterwork, A Love Supreme, is depicted with John meditating, Buddha-like against glowing pink.
Lyrically narrated, resplendently illustrated, and deeply respectful of both subject and audience. (afterword, author’s and artist’s notes, bibliography, discography) (Picture book/biography. 8-12)
