Young people will not be the primary audience for this elegant volume, but it'll greatly appeal to a limited number of all ages. As explained in Christopher Hogwood's interesting scholarly introduction—which also discusses the oratorio's history—the scriptural words were selected and edited by Charles Jennens on Handel's behalf. They're reprinted here with marginal biblical citations printed in red, as are titles and other headings. Moser adds 16 stunning watercolors—some quite realistic (notably the suffering Christ); some almost purely symbolic; all with a powerful simplicity of color and image. An outstandingly handsome book, focusing on the splendid words Handel set to music. (Nonfiction. 6+)
Pub Date: Oct. 30, 1992
ISBN: 0-06-021779-0
Page Count: 48
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 1992
The most interesting feature of this retelling of a story about a saint martyred in A.D. 270 is the art, a meticulous re- creation of the medium of its subject's period. Using thousands of tiny, rectangular pieces resembling tiles, Sabuda replicates the effect of Roman mosaics. His simple designs and harmonious, gently muted colors are pleasing, and he achieves surprising subtleties of expression, considering the intractability of the medium. Actually, the illustrations work even better from a slight distance (as with a group), so that the demarcations between the tiny pieces are less predominant. The technique, which tends to congeal the action, makes relatively undramatic illustrations; still, it's a fascinating experiment that brings the ancient world to life by paying tribute to its art rather than by picturing it in a modern style. The straightforward narrative centers on Valentine as a physician whose ointment restores the sight of a jailer's blind daughter, long the saint's friend. It's implied that the long-awaited cure takes place at the moment of his offstage death; the story ends with the joy of the child's renewed vision. An unusual and attractive rendition. Historical note. (Nonfiction/Picture book. 6-9)
Pub Date: Oct. 30, 1992
ISBN: 0-689-31762-X
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1992
A tender, honest, and beautifully written story about family, faith, and friendship.
Louisa Emerson copes with the sadness and stress of her alcoholic dad, remarried mom, new stepdad, and a move to the suburbs.
Fifth grader Lou loves her small apartment in San Francisco; her mom; her 15-year-old sister, Casey; her BFF, Beth; sad books; and, despite the pain and uncertainty he causes, her usually drunk dad. Lou’s life is being uprooted, however, because Mom is marrying oversolicitous Steve, a man from church who proposed after only three dates. Since Steve lives in his large childhood home in Pacifica—and Lou’s family is barely getting by financially in the city—they are moving in with Steve, and only Mom and Steve seem happy about that. On her 11th birthday, Lou anonymously receives a guitar that she believes is from her dad. After the Emerson girls move, Lou befriends Marcus and Shannon, a charming couple with three young kids who live on Steve’s block. They quickly become the sisters’ trusted adults, and Marcus gives Lou guitar lessons. In her middle-grade debut, noted YA author Zarr writes exactly the sort of kid Lou herself favors: one that thoughtfully tackles tough issues like substance abuse, parental abandonment, the difficulties of change, and blended families. The story also features church and Christian themes in a refreshingly positive and affirming way. Lou’s family is White; supporting characters include Chinese American Beth and Filipino American Marcus.
A tender, honest, and beautifully written story about family, faith, and friendship. (Fiction. 9-13)Pub Date: March 15, 2022
ISBN: 978-0-06-304492-0
Page Count: 368
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 29, 2021
Kirkus Reviews Issue: Dec. 15, 2021
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