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OPERAS & PLAYS

"Well before Beckett or Pinter," writes James R. Mellow in his new introduction here, "Stein immobilized her characters in talk, talk, talk." Whether or not the average reader will want to embark upon the particularly whimsical yet radically demanding journey of Stein's Operas and Plays may not be the real question; but if the desire were there, its fulfillment would now once again be possible. Stein self-published the Operas and Plays in 1932 in Paris (in the famous Plain Edition), and the extreme rarity of that book has until now made it very nearly inaccessible to readers. Here once again are the dramatic works of Stein from the well-known 1927 "Four Saints In Three Acts" (done with music by Virgil Thomson) on through 20 other pieces including, for example, "Saints And Singing" (1922), "Civilization" (1931) and "Say It With Flowers" (1931) and "A Movie" (1920). A welcome republication whether for the curious browser, the common reader, or the scholar of this stubborn, resilient, controversial, influential and often wonderfully amusing American genius: "Can you love all of the painting, can you love a little Christ. Can you love the roar of weasels can you love the little wife. I do see what makes me thunder when the words are not repressed. I do love the little Jesus I do really love him best. You mean of all the pictures. Yes I mean of all the pictures." ("Reread Another," 1921).

Pub Date: April 3, 1987

ISBN: 1886449163

Page Count: 410

Publisher: Station Hill

Review Posted Online: May 23, 2012

Kirkus Reviews Issue: March 15, 1987

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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