With prickly yet endearing Hattie, readers ponder the meaning of faith, commitment, love and loyalty without being fed easy...
In Jen’s latest (The Love Wife, 2004, etc.) a retired teacher—the daughter of an American missionary who abandoned organized Christianity and a Chinese father descended from Confucius—struggles to put her life back together after the deaths of her husband and best friend.
Hattie Kong, 65, has lived as an outsider in America since she was sent here from China after the Communist takeover in that country. After being widowed she moves to Riverlake, the New England vacation town where she spent summers as a girl. Two years later she is embedded in the community but remains deeply lonely, turning mainly to her dogs for companionship. So when a family of Cambodian refugees moves in next door, she can’t help involving herself in their troubled lives, giving them a wheelbarrow for their garden and befriending the teenage daughter, Sophy. But Hattie’s understanding of the family’s complex history is dangerously limited, and when Sophy becomes “born again” under the influence of a local woman whose brand of fundamental Christianity Hattie distrusts, the girl turns against not only Hattie but her troubled older brother with near tragic results. At the same time, retired biology professor Carter Hatch, the love of Hattie’s life, turns up in town to waken long-dormant and confusing emotions. Newly arrived in America from China, Hattie lived with the Hatches, a prominent family of intellectuals. Although she and Carter had only one sexual encounter before they married other people, they shared an unspoken bond as young biologists until he let her down professionally. Now they play a painful game of approach-avoidance. Meanwhile, Hattie’s Chinese relatives besiege her with requests that she re-bury her parents’ remains in the family’s Confucian cemetery for reasons she dismisses as superstitious.
With prickly yet endearing Hattie, readers ponder the meaning of faith, commitment, love and loyalty without being fed easy answers (except against the stereotypically villainous fundamentalist Christians). But the usually deft Jen has thrown too many characters into the stew, serving up a novel of ideas more easily admired than enjoyed.Pub Date: Oct. 11, 2010
ISBN: 978-0-307-27219-5
Page Count: 400
Publisher: Knopf
Review Posted Online: Aug. 27, 2010
Kirkus Reviews Issue: Sept. 15, 2010
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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