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JAMES JOYCE

A NEW BIOGRAPHY

The narrative path is sometimes obscured by a lush undergrowth of detail, but our guide is wise and the journey is wondrous.

The biographer of Orwell, Lowry and Durrell returns with a massively detailed narrative of the life of the author of Ulysses.

Bowker (Inside George Orwell, 2003, etc.) begins with several of the myriad epiphanies Joyce valued—the first, a moment when he was 16 and lost both his virginity and the Virgin (he decided that was fun, and no Jesuit priesthood for me). The author then announces his intentions—to show the complexities and contradictions of the man—and proceeds to do so in detail that is so impressive as to be overwhelming at times. Joyce (1882–1941) emerges as a mess of a man in these pages. The author charts the grim history of his eye problems (nearly a dozen eye operations, some involving leeches), his struggle to survive in the early days of his adulthood and marriage, the sad madness of his daughter, his enormous talents (he learned languages quickly, read everything) and his difficulty finding publishers for Dubliners and the more controversial works that followed. It took a famous Supreme Court ruling to decriminalize Ulysses in the United States. Joyce found a generous patron, though—Harriet Shaw Weaver—whose substantial gifts encouraged the spendthrift genius to live beyond his means, traveling throughout Europe, staying in first-class hotels, no longer the starving artist. Bowker’s labor to keep track of the plethora of places the Joyces lived is Herculean by itself. We see Joyce, too, as a prodigious worker who labored for endless hours, completing not just the shelf- and mind-bending novels Ulysses and Finnegan’s Wake but a play, stories and essays. Bowker goes light on the literary criticism. We see Joyce at work and read about technique and intent, but there are few journeys into exegesis.

The narrative path is sometimes obscured by a lush undergrowth of detail, but our guide is wise and the journey is wondrous.

Pub Date: June 12, 2012

ISBN: 978-0-374-17872-7

Page Count: 624

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 3, 2012

Kirkus Reviews Issue: April 15, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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