Bertie Badger undertakes a magical mystery tour to recover a cache of missing props. In his heyday, Grandpa Badger was a master magician, known as Gadzooks the Great. Now he lives at the Retirement Home for Elderly Magicians, surrounded by old colleagues. Whenever Bertie visits, Grandpa puts on a magnificent show. One day, Bertie arrives to find Grandpa and his fellow residents disconsolate; each has been robbed of a valuable prop (Grandpa’s rabbit is missing). Bertie turns sleuth to question all the colorful ex-magicians about their losses. Their stories are as wild as their rooms, rendered in a crisp combination of watercolor, pencil and gouache. The mystery’s solution should satisfy readers, who then have the opportunity to go back and find a certain story character hidden in each illustration. Then, Base’s pièce de résistance: The back inside cover opens like a secret chamber to reveal a secret-code challenge, with dials and symbols and letters and a magic button. Base’s rhyming text is undeniably pedestrian, but his tableaux are stylish and packed with witty touches. (Picture book. 5-10)
Pub Date: Sept. 1, 2008
ISBN: 978-0-8109-7245-2
Page Count: 48
Publisher: Abrams
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The wriggly narrator of Diary of a Worm (2003) puts in occasional appearances, but it’s his arachnid buddy who takes center stage here, with terse, tongue-in-cheek comments on his likes (his close friend Fly, Charlotte’s Web), his dislikes (vacuums, people with big feet), nervous encounters with a huge Daddy Longlegs, his extended family—which includes a Grandpa more than willing to share hard-won wisdom (The secret to a long, happy life: “Never fall asleep in a shoe.”)—and mishaps both at spider school and on the human playground. Bliss endows his garden-dwellers with faces and the odd hat or other accessory, and creates cozy webs or burrows colorfully decorated with corks, scraps, plastic toys and other human detritus. Spider closes with the notion that we could all get along, “just like me and Fly,” if we but got to know one another. Once again, brilliantly hilarious. (Picture book. 6-8)
Pub Date: Aug. 1, 2005
ISBN: 0-06-000153-4
Page Count: 40
Publisher: Joanna Cotler/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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