A bold, brazen thriller with a serious commentary on the future of information.
A hardboiled techno-thriller about the trials and tribulations of the dawning information age.
Though set in the not-too-distant future of 2020, Kiser’s thriller—equal parts Crichton, Clancy and King—is spectacularly culturally prescient. Opening in the middle of a dusty blood-and-guts shootout between AK-wielding Iranians and two drastically outnumbered, but not outmanned, Navy SEALs, Kiser sets the tone early—graphic, verbose (and occasionally typographically distracting when utilizing capital letters for emphasis), violent and spiritual. Protagonist, ex-SEAL and chosen one Mitch Double Downing has discovered a way of mentally wiring into the infinity of information throughout the Web or “the grid” as it will be known in the coming years. He calls the method inSyte and with it he can access not just the transactions and rote information that floats about in the informational ether, but he can see into the souls of men throughout that much wider, more complex network called humanity. In short, he’s the perfect operative. Much of the action takes place in Florida as Downing struggles with exposing the threatening corruption of Tampa Bay’s mayor, who also happens to be the father of his love interest. The mayor and his disastrous machinations will obliterate millions of lives and Downing must walk a fine line between romantic loyalty and safeguarding the destiny of mankind. Woven throughout a story with many finely crafted twists, turns and revelations is the charismatic, mysterious, murderous Cheslov Kirill. As a classic merciless political operator, Kirill is unforgettable and chillingly, complexly rendered, especially for a man who uses a school of sharks off the Florida coast for corpse disposal. Final showdowns are a specialty in this genre and Kiser does not disappoint with his narrative’s disturbingly ambiguous final passages. There are a few awkward moments in Kiser’s otherwise powerful prose that some final polishing could easily have resolved, but the exciting mix of speculative fiction, contemporary politics and eschatological obsession amid the parochial setting of Tampa Bay make for a novel with an atmosphere and message all its own.
A bold, brazen thriller with a serious commentary on the future of information.Pub Date: June 15, 2011
ISBN: 978-0615484877
Page Count: 390
Publisher: inSyte
Review Posted Online: June 21, 2011
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.
Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.
Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”
Once again, Hilderbrand displays her gift for making us care most about her least likable characters.Pub Date: June 16, 2015
ISBN: 978-0-316-33452-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: May 20, 2015
Kirkus Reviews Issue: June 1, 2015
PERSPECTIVES
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