by Grégoire Bouillier & translated by Bruce Benderson ‧ RELEASE DATE: Jan. 6, 2009
An author who vaunts his “likable kookiness” finds fresh invention in the sum lessons of his life.
Tender, witty memoir about the contortions of childhood and first love.
French author Bouillier (The Mystery Guest, 2006) delights in the pell-mell selection from his life story of seemingly random details that carry a mythological significance, such as names (his own surname means “small birch forest”) and dates. Born in Algeria in 1960 while his father was performing compulsory military service, he moved with his parents and older brother first to Lyons, then to Paris when he was five. Early on, he contracted staphylococcus aureus, possibly from licking the windows of a train. He lost his sense of smell and nearly died from the virulent infection, but “was more than a little proud of having caught something that turned out so difficult to spell.” Bouillier later re-created the “toxic shock” of this event when he met one of the defining loves of his life, Laurence, on a train. His childhood was marked by the accidental scalping of his best friend on the playground, the breakup then rapprochement of his volatile parents and his love for Marie-Blanche Fenwick, the daughter of a haute-bourgeois family residing near the Champs-Elysées. His glimpse of Madame Fenwick washing her bottom over a bidet suffused the nine-year-old with a sense of beauty and redemption, swiftly eclipsed when a drug scandal sent the Fenwicks fleeing from the country. Later, Bouillier recognized he had tried to recapture that glorious feeling of youth by plunging into a doomed romance with a girl in a dove-gray blouse who lured him to the Gulf of Mexico, dove-gray and golf being two emblematic words associated with Madame Fenwick. (And golfe being the French word for gulf.) Left at wit’s end after the girlfriend vanished, he returned to his parents’ home, plunged into Homer’s Odyssey and put aside painting for literature: “It was my sacrifice for continuing to live,” he says.
An author who vaunts his “likable kookiness” finds fresh invention in the sum lessons of his life.Pub Date: Jan. 6, 2009
ISBN: 978-0-618-96861-9
Page Count: 128
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2008
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by Grégoire Bouillier & translated by Lorin Stein
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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