An admirably thorough and keen investigative report by two Miami Herald reporters about the drag-lord demons of the Medellin (Colombia) Cartel. Gugliotta and Leen kept their bylines off the ten Miami Herald articles on which this book is based—a wise move given the many journalists slain by Colombia's cocaine kingpins during the past decade. But their names are back now, and rightfully so: the research supporting this book is amazing, more than 300 interviews in over three years of digging, and it echoes in the deep detail that vivifies this shocking, fast-moving brief on the four cartel leaders, their henchmen, and the law officials arrayed against them. The authors' story begins in 1979, with a particularly vicious Dade County shoot-out in which Colombians announced their presence in Miami's drug world. At the head of the Colombian rat-pack: Pablo Escobar, Jose Gonzalo Rodriquez Gacha, and Jorge Luis Ochoa—cartel leaders now raking in billions a year, and through muscle and money virtually rulling Colombia—and Carlos Lehder, the megalomaniacal cocaine-addicted focus of this book, who set up a global cocaine distribution network and who now, the only cartel member to be punished, languishes in a US prison for life. Woven within the tale of the ruthless ascent of these once petty criminals is the Sisyphean tale of Colombia's justice minister Lara Bonilla and Anti-Narcotics Unit head Jaime Ramirez Gomez, both sworn to stop the cartel and both ending up with bullets in the brain. Other villains abound, too, including a horde of Yankee drug lieutenants, Panama's Noriega, and the Bahama's current P.M., Lynden Pindling, cartel property. Read it and weep. In the 1980's, it seems, crime pays very well indeed; but at least there are smart, committed reporters like Gugliotta and Leen to shine bright light into the dark valley of the drug lords.
Pub Date: April 1, 1989
ISBN: 671-649574
Page Count: -
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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