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SALKA VALKA

Of minor interest against Laxness’ best-known works, but full of his trademark intersections of politics and religion.

A brooding novel of boreal discontentments by the Nobel Prize–winning Icelandic writer.

Sigurlína Jónsdóttir has always been down on her luck. She decides to leave the frozen north coast of Iceland with her 11-year-old daughter, Salvör Valgerður, or Salka, whose father is unknown to her—and to Sigurlína, a sometime prostitute, as well. They get just a few miles south to a ramshackle fishing village, where they discover the manifold class divisions of early-20th-century Iceland, though no one, rich or poor, seems keen on keeping up hygiene. As Salka grows up, she experiences all the unhappy turns of a Bergman film (and Laxness began this book as a screenplay): sexual abuse, violence, betrayal, suicide. And always the smell of fish. Sigurlína wants little other than enough to eat and a place in the Salvation Army, which figures strongly throughout Laxness’ four-part novel as the only anchor to which she can cling, though in the end it proves just as useless as any other. Salka, meanwhile, is born to rebel. On entering school, asked who Iceland’s ruler is (in those days, the king of Denmark via an appointed minister), she responds, “No one’s going to rule over me!” Alas, the volcano of a man called Steinþór Steinsson, Bluto to Sigurlína’s Olive Oyl, has different ideas: “When it came right down to it,” Salka decides, “Steinþór Steinsson was the devil.” There’s a poetry to Laxness’ depiction of a frayed mother-daughter relationship: “Out in the night, she had no Mama,” Salka thinks. “Out in the night was only the girl, Sigurlína Jónsdóttir, and she was not her mother.” But there’s also some jarring language, as when Steinþór berates a cleric for being the most contentious man he’s ever encountered, “despite my having had to associate with both negroes and sodomites.” The words speak ill of Steinþór, but they mark Laxness’ novel as being a century old, and on every page it reads like it.

Of minor interest against Laxness’ best-known works, but full of his trademark intersections of politics and religion.

Pub Date: March 8, 2022

ISBN: 978-1-953861-24-5

Page Count: 550

Publisher: Archipelago

Review Posted Online: Dec. 14, 2021

Kirkus Reviews Issue: Dec. 15, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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