Old pro Coyle (Until the End, 1996, etc.) strikes out on a new course, chronicling the harsh but enlightening experiences of three combatants in the French and Indian War. At the heart of Coyle's consistently engrossing narrative are: Highlander Ian McPherson (a Culloden veteran exiled to North America in the wake of England's so-called Great Clearance of Scotland); Ensign Anton de Chevalier (bastard son of a minor nobleman, posted to the New France garrison as an officer of artillery); and Captain Thomas Shields (a well-born Londoner who views the colonies as a chance for martial fame and, perhaps, a civilian fortune). In hopes of securing land at the end of his enlistment, Ian marches off in 1754 with a small band of Virginia volunteers under the command of Colonel George Washington—a band that fails, unfortunately, to dislodge the French from Western Pennsylvania. The colonial militia return the next year in company with Redcoat regulars (including Thomas), but with no better results. As the conflict grinds on, it affects the focal characters in various ways. Anton, for example, continues to see God's own glory in the beauty of the woodland battlegrounds, while Thomas (chastened by a near-fatal encounter with a vengeful Indian fighting for the French) lays aside dreams of military honors. As more talented soldiers of the king (Jeffrey Amherst, James Wolfe, et al.) take charge, the tide turns in favor of Anglo-American armies, and in 1759, the Crown's troops win a decisive victory on the Plains of Abraham outside Quebec City. A gravely wounded Thomas resigns his commission to marry a Hudson Valley heiress, Anton soldiers on, and Ian gets his frontier homestead, plus a lusty Irish lass to share it. Vivid accounts of bloody engagements on New World battlefields where the fate of great empires was decided, and resonant depictions of the men at the sharp end of the bayonet—or tomahawk- -make for a splendid period piece.
Pub Date: Aug. 1, 1997
ISBN: 0-684-83433-2
Page Count: 464
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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