This beautifully written, impeccably researched biography does much to resuscitate French’s substantial contributions to...
The first comprehensive biography of a great American sculptor.
Award-winning historian and Abraham Lincoln scholar Holzer (1865: America Makes War and Peace in Lincoln's Final Year, 2015, etc.) offers a much-needed biography of the little-known American sculptor Daniel Chester French (1850-1931). The author begins his superb book with a stirring account of the 1922 dedication of the Lincoln Memorial. At the front of the large crowd was President Warren G. Harding and Lincoln’s son, Robert, while off to the side, “unrecognized by most,” sat the “thin, aging,” New England sculptor of the iconic, 240-ton marble statue, which is “now regarded as the most famous sculpture ever created of or by an American.” Black dignitaries, meanwhile, were seated on benches a “block away.” French was largely self-taught, and his supportive father enlisted instruction for his teenage son from the “accomplished watercolor painter May Alcott.” Afterward, French joked, he decided to become a sculptor. His “talent was undeniable.” In lavish detail, Holzer chronicles the development of French’s career. His first major commission was Minute Man bronze monument (1875) in Concord, Massachusetts, for which he received “rhapsodic reviews” and generous royalties from popular reproductions. His impressive The Awakening of Endymion followed, and then a commission to sculpt Ralph Waldo Emerson, who exclaimed, “That is the face that I shave!” With his sculpture of the renowned deaf educator Thomas Gallaudet, Holzer writes, French reached a “new plateau of virtuosity.” His “hard-won status” was now secure, and two of his sculptures, including the colossal Republic, were exhibited at the 1893 World’s Fair in Chicago. In 1903, French was elected to the board of the Metropolitan Museum of Art and assisted them in acquiring crucial American works of sculpture. He accepted the Lincoln commission in 1915. Its dedication would be the “crowning moment” of “French’s long and extraordinary career.”
This beautifully written, impeccably researched biography does much to resuscitate French’s substantial contributions to American art.Pub Date: March 5, 2019
ISBN: 978-1-61689-753-6
Page Count: 368
Publisher: Princeton Architectural Press
Review Posted Online: Nov. 19, 2018
Kirkus Reviews Issue: Dec. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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