Holding himself responsible for his son’s death, Dr. Speak Singleton relocates to Park City, Utah, where his role as the doping control officer (DCO) in the cycling events of the 2012 Olympics presents him with an opportunity for atonement.
When Liam Singleton is caught using topical testosterone, a form of steroids, his father, Speak, an emergency room doctor, is quick to chastise him; only hours later, Speak stares at the lifeless body of his son, who crashed into a tree on the way to the emergency room. Liam’s death is the final blow to Speak and Fiona’s marriage; she walks out while Speak relocates to the solitary confines of Park City, where he’s determined to preserve the anti-doping system as the DCO in the cycling events of the 2012 Olympics. Immediately apparent are the sinister intentions of Team USA member and Tour de France winner Luke Garver and Coach Whitford, a medical genius who has devised a muscle-DNA altering substance that will not only pass through the anti-doping system but can also reduce the effects of aging. Seemingly past his prime, Garver, who has been shattering all of the cycling records set by Lance Armstrong, is a living example of Whitford’s prowess. Whitford and his right-hand man, Flint, know no bounds, as evidenced by the brutal slaying of Erik Hikem. Speak meets Troy Hale, another member of Team USA, through Hikem’s accident and immediately likens Troy to his son. Despite his insecurities and intimacy issues, Speak is a compassionate character who seeks the female touch and finds it in paramedic and fellow volunteer Julia Anderson. The dichotomy between the two medical practitioners, Speak and Whitford, is stunning—while one is ready to endure criticism and a tarnished reputation in his fight against steroids, the other is just as determined to plow through any obstacle that will prevent him from becoming rich through his creation, regardless of the cost in human lives and side effects of genetic doping. Speak and Whitford, two characters who have a scarred past and are searching for redemption—or revenge—are, on their own, enough to make this narrative a worthwhile read. The element of the 2012 Summer Olympics, educational information on steroids, fast-paced dialogue and the relationships between Troy and Speak and Speak and Julia are simply icing on the cake. A thrilling, nuanced drama that packs an informational and emotional punch.
Pub Date: Jan. 20, 2012
ISBN: N/A
Page Count: 302
Publisher: Kurti Publishing
Review Posted Online: Oct. 10, 2011
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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