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DEATH'S ANGEL

With numerous nefarious villains, fascinating supernatural abilities and details, and an action-packed plot all serving the...

Archangel Azrael, the former Angel of Death, has been on Earth for thousands of years searching for his destined mate, so he’s surprised when finding Sophie makes him more vulnerable and frustrated, not less; they’ll both need to exorcize some demons—actual and psychological—before they can find happiness.

After thousands of years on Earth searching for true love with their destined archesses, four archangels—Michael, Gabriel, Uriel and Azrael—believe the time is at hand. Uriel and Gabriel have found their mates, and at Gabriel’s wedding, Azrael meets Sophie, the maid of honor and a woman so compelling, he knows she’s meant for him. The angels have been fighting for good during their time in this realm, and the sudden union of these mates appears to be a threat to darker forces on Earth. Ancient enemies are rising and forming sinister alliances, hoping to weaken the angels’ power by threatening the things they cherish most—the loved ones they’ve been searching for for millennia. As the former Angel of Death, Azrael’s reconciliation is particularly problematic. Unlike his brother angels who came to Earth in human form, he fell to Earth as the first-ever vampire. His destined love, Sophie, has unwittingly been hounded by shadowy forces from a young age and left to survive a troubled, painful childhood. Before they can come into their fullest individual powers as a couple, they must overcome self-doubts, mistrust and some fundamental crises of faith. The third installment of The Lost Angels series is an interesting, intriguing blend of vampire myth and archangel legend, with an intense romance reinforced by taut sexual tension and a fast-paced adventure that succeeds through dynamic writing, its well-drawn characters, and the “good triumphs over evil, love conquers all” theme. Some small plot elements and character motivations don’t ring quite true, and a vague underlying religious/spiritual thread depends on some suspension of disbelief, but in general, the complicated mythical and theological backdrop works fairly well.

With numerous nefarious villains, fascinating supernatural abilities and details, and an action-packed plot all serving the sweet yet sexy romantic core of the story, this book will keep its intended paranormal-romantic-suspense audience entertained and engaged.

Pub Date: Dec. 31, 2012

ISBN: 978-0-451-23894-8

Page Count: 368

Publisher: Signet Eclipse/NAL

Review Posted Online: Dec. 2, 2012

Kirkus Reviews Issue: Dec. 15, 2012

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ON MYSTIC LAKE

Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)

Pub Date: March 31, 1999

ISBN: 0-609-60249-7

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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