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SCORE ONE FOR THE SLOTHS

An amusing, if decidedly sleepy, tale of sloths and the very relaxing atmosphere of their school—an institution thrown in jeopardy by a bureaucrat of conventional stripe—from the hand-and-glove team behind Tacky the Penguin and Wodney Wat. Sleepy Valley Sloth School lives up to its name: nobody here but drowsy sloths. They snooze through their lessons—so do their teachers—through their recess, through their study hall. They sleep “until six o’clock when the custodian swept them out, and they rolled home.” It was one contented educational establishment. One day a disruptive influence makes the scene: a young fireplug of a sloth named Sparky, who tries to light some fire under her classmates: “ ‘Let’s read a story! Hey, we could use a little music! Want to build a castle? Anyone for math? How about some poetry?’ ” No takers. “ ‘What a bunch of bores,’ ” she sighs. Then a real boar pushes through the door, an operative from the Society for Organizing Sameness, come to close the school for failing in all subjects. Sparky saves the school by dazzling the organization man with feats of reading, music, math, and poetry. Who says sloths are underachievers? They’re being sloths, and just how many creatures have had their name elevated to a common adjective? Only Munsinger could so perfectly catch them in all their languid glory, from the opening page when they are quite literally “just hanging around” as loose-limbed and zonked-out as anything ever seen, to as nearly awake as a sloth can get while piled up in a heap trying to pay attention. And the belly laughs induced by Lester’s words will keep everyone awake. (Picture book. 3-7)

Pub Date: Sept. 1, 2001

ISBN: 0-618-10857-2

Page Count: 32

Publisher: Walter Lorraine/Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2001

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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