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JOHNNY CARSON

Carson partisans may find this memoir self-serving (what memoir isn’t?), but most readers will be captivated by this...

The King of Late Night’s lawyer, confidant, tennis partner and butt of his “Bombastic Bushkin” gags appraises their 18-year relationship.

Mainly due to the often bitter jokes he began making about marriage, often at his own expense, around the time of his expensive divorce from his third wife in the early 1980s, Johnny Carson (1925–2005) is known for his marital troubles. Though the late-night host is also known for his reclusiveness from the Hollywood scene—a reputation Bushkin demonstrates was not entirely warranted—most casual observers may not know that Carson had difficulty with all sorts of relationships, beginning with his praise-stingy mother Ruth, whose approval Carson vainly sought until her death, and continuing with his three sons (Carson admitted to being a poor, distant father). Fresh out of Vanderbilt Law School at 23, Bushkin began working for Carson in 1970 and had, arguably, the closest and sturdiest relationship with Carson of the entertainer’s entire life until its acrimonious end in 1988 (“Johnny terminated our relationship in a mere three-minute conversation….There was no final act”). The secret to his success? At the expense of his own marriage and relationships with his children, Bushkin made it his career to keep Carson happy at all hours of the day and night. This might mean getting him a contract with NBC that made him the highest-paid entertainer in the world. It could also mean breaking and entering into Carson’s second wife’s adulterous “love nest” to gather evidence for divorce, listening to a drunken Caron’s self-psychoanalysis at an after-hours watering hole, disappearing discreetly when one of the boss’s many voluptuous playmates appeared, or stepping between Carson and people he wanted to hit or who wanted to hit him.

Carson partisans may find this memoir self-serving (what memoir isn’t?), but most readers will be captivated by this high-definition, off-camera, extreme close-up view of the enigmatic entertainer.

Pub Date: Oct. 15, 2013

ISBN: 978-0-544-21762-1

Page Count: 304

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Oct. 4, 2013

Kirkus Reviews Issue: Oct. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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