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HOT CRIPPLE

AN INCURABLE SMART-ASS TAKES ON THE HEALTH CARE SYSTEM AND LIVES TO TELL THE TALE

A remarkable, emotional journey through unrelenting pain—and laughter.

The funny, moving story of the blue-eyed, blond model/actress who became the unlikely poster girl for the plight of the poor and uninsured in America after she was struck by a car in New York City street in 2004.

Though Gorman admits that she’s not the kind of woman who typically elicits sympathy from most folks, the author’s tale of woe following her near-death experience is so tragic and compelling, it doesn’t matter one bit that she never once lets her coarse, sarcastic armor slip. She may be the furthest thing from Snow White (more like the “witch-bitch”), but her harrowing experience grappling with a twisted spine, disinterested welfare hacks and outrageous court officers rendered her so broken and vulnerable, readers will root for this unrepentantly bitchy, foul-mouthed fighter. In fact, Gorman’s obvious toughness in dealing with her suddenly penniless situation following her accident only underscores the bleakness of the whole affair. Even amid the desperation, love pulsates just as powerfully as the pain in this candid account of one out-of-work woman’s season in uninsured hell. It’s a saccharine-free yarn, yet Gorman’s relationships with her mother (an ex-nun) and her former modeling partner are both touching and profound. As is often the case, the author only discovered who her true friends were after she suffered her accident and resulting health-care nightmare. Ultimately, Gorman succeeds in not only telling her own triumphant story, but also illuminating the countless problems with the broken American health-care and justice systems. The outcome of her slam-dunk court case is nothing less than astounding, and so is her resurrection.

A remarkable, emotional journey through unrelenting pain—and laughter. 

Pub Date: March 6, 2012

ISBN: 978-0-399-53728-8

Page Count: 272

Publisher: Perigee/Penguin

Review Posted Online: Dec. 17, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE DISTANCE BETWEEN US

A MEMOIR

A standout immigrant coming-of-age story.

In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.

Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”

A standout immigrant coming-of-age story.

Pub Date: Aug. 28, 2012

ISBN: 978-1-4516-6177-4

Page Count: 320

Publisher: Atria

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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