Creating a modern Shakespeare play is no Mean feat.
Tina Fey’s Mean Girls gets a Shakespearean script treatment.
As in the 2004 film, home-schooled teenager Cady Heron leaves Africa with her anthropologist parents and enters American high school, where she first spies on popular Plastics-leader Regina George, then emulates the queen bee, alienating her newfound real friends, Damian and Janis, and crush, Aaron. No mere novelization of the movie (itself based on a nonfiction book), it embraces Elizabethan theater conventions, with Doescher (Jedi the Last, 2018, etc.) translating cinematic tropes and tricks into their early modern equivalents—asides, chorus, and balcony scenes. Blatantly lifting speeches from the Bard, other lines swing between jarringly modern and pseudo-Shakespearean, with the juxtaposition played for comedic effect. The iambic pentameter (mostly prose) usually works, in style if not in syntax. Purists may scoff, but this play attempts and mostly succeeds at reviving Shakespeare as popular entertainment for the masses. Audiences already familiar with the film’s plots, memorable lines, and pop-culture references will be well-equipped to tackle the Shakespearean treatment rather than facing an impenetrable thicket of academic allusions, archaic language, history lessons, and Latin grammar jokes. However, the author’s afterword assertion that “Shakespeare’s female characters were never as strong as those of Tina Fey’s creation” better befits the Burn Book’s slander.
Creating a modern Shakespeare play is no Mean feat. (dramatis personae, afterword, sonnet) (Fiction. 12-18)Pub Date: April 23, 2019
ISBN: 978-1-68369-117-4
Page Count: 176
Publisher: Quirk Books
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
A book that seamlessly brings readers along on a journey of impact and empowerment.
A manifesto for budding feminists.
At the core of this engaging novel are besties Chelsea, who is Irish- and Italian-American and into fashion and beauty, and Jasmine, who is African-American, loves the theater, and pushes back against bias around size (“I don’t need your fake compliments, your pity. I know I’m beautiful. Inside and out”). They and their sidekicks, half-Japanese/half-Lebanese Nadine and Puerto Rican Isaac, grow into first-class activists—simultaneously educating their peers and readers. The year gets off to a rocky start at their progressive, social justice–oriented New York City high school: Along with the usual angst many students experience, Jasmine’s father is terminally ill with cancer, and after things go badly in both their clubs, Jasmine and Chelsea form a women’s rights club which becomes the catalyst for their growth as they explore gender inequality and opportunities for change. This is an inspiring look at two strong-willed teens growing into even stronger young women ready to use their voices and take on the world, imploring budding feminists everywhere to “join the revolution.” The book offers a poetic balance of dialogue among the main characters, their peers, and the adults in their lives. The exquisite pacing, which intersperses everyday teen conflicts with weightier issues, demonstrates how teens long to be heard and taken seriously.
A book that seamlessly brings readers along on a journey of impact and empowerment. (resources for young activists, endnotes) (Fiction. 12-18)Pub Date: Feb. 12, 2019
ISBN: 978-1-5476-0008-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: Jan. 22, 2019
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
