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THE BOOK OF 20TH CENTURY ESSAYS

A welcome anthology, to be kept near at hand and cracked open whenever time permits.

A collection of English-language essays from over the last century, assembled by Hamilton (Walking Possession, 1996, etc.) with an eye for urgency and import.

It is a lawless bunch of items gathered here, mostly free and daring even with decades heaped on their shoulders. Because of Hamilton's taste for the momentous and the stirring, readers are brought James Baldwin's "Notes of a Native Son," Hannah Arendt's "The Concentration Camps," Norman Mailer's "The White Negro," Edmund Blunden's "The Somme Still Flows," Edmund Wilson's "The Wound and the Bow," and T.S. Eliot's "Tradition and the Individual Talent." Less momentous, though no less defining, are Martha Gellhorn's memories of Madrid in 1937 or V.S. Naipaul's fears at the dawn of India's independence, Joan Didion describing the effect of staying too long in New York, Elizabeth Hardwick considering the tawdriness of Oswald and Ruby, A. Alvarez on the poetry of risk, Philip Larkin on the risks of poetry, and Philip Roth on being shaped by baseball. There is also time made for some bijouterie: A.P. Herbert ruing that "we cannot make the bathroom what it ought to be, the supreme and perfect shrine to the supreme moment of the day"; W.H. Auden on the curious appeal of the detective story; Kingsley Amis on the potential discomfort of reading an ESD (explicit sexual description); or E.B. White on being bedazzled by a circus rider. Hamilton has arranged the essays chronologically, allowing the weighty pieces to be buoyed and giving readers sufficient oxygen to proceed through what emerges as a compelling, difficult, terrifying, at times frivolous, but at least here well-mulled, century.

A welcome anthology, to be kept near at hand and cracked open whenever time permits.

Pub Date: Sept. 1, 2000

ISBN: 0-88064-251-3

Page Count: 576

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2000

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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