A sprawling, ambitious thriller for readers with a taste for florid invention and broad strokes of the supernatural.
The creepiest painting ever encountered in fiction or real life sends a beleaguered Italian police officer searching for the killer in a 70-year-old case.
Before he gave up painting at the age of 23, Alessio Andrian completed fewer than a dozen pictures. Raffaello Andrian, the artist’s great-nephew, has offered the last of them, The Sleeping Nymph, to gallery owner Gianmaria Gortan, whose routine tests of the painting have disclosed something deeply disturbing: the presence of blood. The Sleeping Nymph isn’t marred by traces of blood; the whole painting has been executed in blood—and not the artist’s own—mixed with the odd bit of cardiac tissue, as if to establish its authenticity. Charged with investigating the presumed murder of the sleeping nymph, Superintendent Teresa Battaglia finds that Alessio Andrian, though he’s still alive, hasn’t spoken since he completed the picture in 1945. So she follows the nymph’s trail to the Slovenian region of Resia, where she’s swiftly caught up in tales of the artist’s resistance to the occupying Germans as the war wound down. As a present-day murder forces her to ask whether she’s really looking for a single killer pushing 90, she has to contend with two other adversaries: Albert Lona, an old enemy who’s stepped in to replace her suddenly stricken boss, and her own creeping dementia, which she’s struggling to keep secret. It’s lucky that she can obtain the services of Smoky, an amazingly talented Human Remains Detection dog, and Blanca Zago, his blind trainer, because she’ll need all the help she can get.
A sprawling, ambitious thriller for readers with a taste for florid invention and broad strokes of the supernatural.Pub Date: Sept. 8, 2020
ISBN: 978-1-641-29121-7
Page Count: 456
Publisher: Soho Crime
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
BOOK REVIEW
The story is sadly familiar, the treatment claustrophobically intense.
Twenty years after Chloe Davis’ father was convicted of killing half a dozen young women, someone seems to be celebrating the anniversary by extending the list.
No one in little Breaux Bridge, Louisiana, was left untouched by Richard Davis’ confession, least of all his family members. His wife, Mona, tried to kill herself and has been incapacitated ever since. His son, Cooper, became so suspicious that even now it’s hard for him to accept pharmaceutical salesman Daniel Briggs, whose sister, Sophie, also vanished 20 years ago, as Chloe’s fiance. And Chloe’s own nightmares, which lead her to rebuff New York Times reporter Aaron Jansen, who wants to interview her for an anniversary story, are redoubled when her newest psychiatric patient, Lacey Deckler, follows the path of high school student Aubrey Gravino by disappearing and then turning up dead. The good news is that Dick Davis, whom Chloe has had no contact with ever since he was imprisoned after his confession, obviously didn’t commit these new crimes. The bad news is that someone else did, someone who knows a great deal about the earlier cases, someone who could be very close to Chloe indeed. First-timer Willingham laces her first-person narrative with a stifling sense of victimhood that extends even to the survivors and a series of climactic revelations, at least some of which are guaranteed to surprise the most hard-bitten readers.
The story is sadly familiar, the treatment claustrophobically intense.Pub Date: Jan. 11, 2022
ISBN: 978-1-2508-0382-5
Page Count: 368
Publisher: Minotaur
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
BOOK REVIEW
BOOK REVIEW
Smart, edgy, and entertaining as heck.
Against her better judgment, Lucy Chase returns to her hometown of Plumpton, Texas, for her grandmother’s birthday, knowing full well that almost everyone in town still believes she murdered her best friend five years ago, when they were in their early 20s.
Coincidentally—or is it?—Ben Owens, a true-crime podcaster, is also in town, interviewing Lucy’s family and former friends about the murder of Savannah Harper, “just the sweetest girl you ever met,” who died from several violent blows to the head. Lucy was found hours later covered in blood, with no memory of what happened. She was—and is—a woman with secrets, which has not endeared her to the people of Plumpton; their narrative is that she was always violent, secretive, difficult. But Ben wants to tell Lucy’s story; attractive and relentless, he uncovers new evidence and coaxes new interviews, and people slowly begin to question whether Lucy is truly guilty. Lucy, meanwhile, lets down her guard, and as she and Ben draw closer together, she has to finally face the truth of her past and unmask the murderer of her complicated, gorgeous, protective friend. Most of the novel is told from Lucy’s point of view, which allows for a natural unspooling of the layers of her life and her story. She’s strong, she’s prickly, and we gradually begin to understand just how wronged she has been. The story is a striking commentary on the insular and harmful nature of small-town prejudice and how women who don’t fit a certain mold are often considered outliers, if not straight-up villains. Tintera is smart to capitalize on how the true-crime podcast boom informs and infuses the current fictional thriller scene; she’s also effective at writing action that transcends the podcast structure.
Smart, edgy, and entertaining as heck.Pub Date: March 5, 2024
ISBN: 9781250880314
Page Count: 352
Publisher: Celadon Books
Review Posted Online: Dec. 16, 2023
Kirkus Reviews Issue: Jan. 15, 2024
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