The great love at the heart of the story, which became the stuff of legends, unfortunately gets lost in the heat of battle...
Lustily detailed life in another time—the Mughal Empire of early-17th-century India—sluggishly chronicles the long, convoluted path of a love affair between an emperor and a courtier’s daughter.
Drawing on historical records, newcomer Sundaresan, an Indian-born writer living in the US, gives her own interpretation of the fabled woman who, once she married the Emperor Jahangir, becoming his 20th and last wife, ruled the empire in his name for 15 years. Born in what is today Afghanistan as her parents were fleeing their native Persia en route to India, Mehrunnisa is abandoned soon after birth by her father Ghias. With three children, no money and no future, Ghias despairs of being able to rear her, but Mehrunnisa is rescued by Malik, a merchant, who not only befriends Ghias but finds a position for him at the imperial court in Lahore. There, the family prospers and Mehrunnisa thrives. When she's eight, she accompanies her mother, Asmat, to the imperial palace to witness the marriage of Prince Salim. Watching from the women’s quarters, the young girl not only falls in love with the handsome prince but also attracts the attention of the powerful Empress Ruqayya, who insists that Mehrunnisa attend her at court. Once there, Mehrunnisa learns all the court gossip, observes the rivalries among the wives and concubines—and has a brief meeting with Salim, who is struck by her beauty. They see each other again infrequently in the turbulent years ahead, but Mehrunnisa never stops believing that one day she will be Empress of India. It is a dream realized after many pages and much bloodshed as wars, marriages, and desperate intrigues intervene.
The great love at the heart of the story, which became the stuff of legends, unfortunately gets lost in the heat of battle and history.Pub Date: Feb. 1, 2001
ISBN: 0-7434-2714-9
Page Count: 320
Publisher: Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2001
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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