Fragmentation and disintegration—in the body politic and in the realm of human relations’seem to be the themes of this frustratingly cryptic debut novel by the prizewinning young German author (stories: 33 Moments of Happiness, 1998). Schulze employs a structure similar to that of his collection. Here, we get a piecemeal portrayal, in 29 interrelated chapters (each prefaced by a brief summary of its contents), of a dozen or so inhabitants of the town of Altenburg, in the decade (the 1990s) following the collapse of the Berlin Wall and Germany’s supposed “reunification.” Each chapter presents a conversation or confrontation, begun in medias res, involving two or more Altenburgers whose daily lives and destinies are entwined in ways that are only gradually—and even then incompletely—made clear to the reader. For example, we’re introduced to Renate Meurer and her depressive, unemployable second husband Ernst during their vacation in Italy before we hear about her former husband, a physician whose political allegiances provoked their separation, or about Renate’s son Martin, a widower still mourning his wife’s death in a traffic accident and incapable of raising their two sons—the younger of whom lives with Danny, a journalist—whose rocky relationship with Edgar, an ex-Communist Youth activist turned “ad rep” echoes several other stalled or combative marriages, love affairs, and family situations. The story’s best moments are those that express its central concerns with either dramatic directness (as in the case of Doctor Barbara Hotlitzschek, married to a politician too cautious to condemn even neo-Nazi violence) or with wry symbolism (the accident-prone trials of “wannabe writer” Heinrich “Enrico” Friedrich, who “had come to . . . [the] realization that nobody wanted to read his stuff, and . . . thrown himself head over heels down the stairs”). A first novel that impresses with its cleverness, but ultimately disappoints: Schulze has neglected to create characters interesting enough to make us care what happens to them.
Pub Date: Jan. 20, 2000
ISBN: 0-375-40541-0
Page Count: 320
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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