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I GOT A NAME

THE JIM CROCE STORY

A deeply candid look into the life and times of a talented artist.

Jim Croce’s widow finally opens up about living, loving and making music with her late pop-star husband.

Before he was tragically killed in a 1973 plane crash while on tour, Croce commanded the radio airwaves. In the early ’70s, hits like “Bad, Bad Leroy Brown," “Operator” and “Time in a Bottle” made the singer-songwriter appear like an overnight sensation. In reality, it took him many years of heartache and struggle to crack the top of the charts, and Ingrid was with him every step of the way, both as a musical collaborator and a devoted wife. The couple’s profound love for one another, first ignited when Jim was still in college and Ingrid was just 16, is infused into every one of these intimate pages. Her husband’s premature death was a nightmare to all who knew him and loved his music. For Ingrid, the tragedy actually began well before he ever climbed into that doomed airplane. At some point (which Ingrid traces to a horrific incident she experienced while on vacation), Jim began to change in ways that are almost as sad, frustrating and unfathomable as his untimely demise. She recounts the many betrayals and transgressions in a heartbreaking voice. This warts-and-all portrait paints Jim as a profoundly conflicted man who might have gotten his act together had he been given the time—but maybe not. For almost 40 years, fans curious about Jim have had to satisfy themselves with his wonderful songs, but now we have a more complete picture of the man behind the music.

A deeply candid look into the life and times of a talented artist.

Pub Date: July 3, 2012

ISBN: 978-0-306-82121-9

Page Count: 288

Publisher: Da Capo

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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