The densely woven backstory, the oracular speeches, the elliptically motivated vendetta, and the constant recourse to...
Think the competition among music students at Juilliard is fierce? Wait till you hear what the family of violinist Anna Svardak has done, and is prepared to do, to anyone they consider a rival.
By the time John Svardak sets his sights on Cara Delaney, he's already murdered four other violinists on both sides of the Atlantic because their music-making can't compare to that of his long-dead violinist sister, Anna. In fact, the chain of vengeance goes back even further, since Cara's grandfather Sergai Kaskov murdered Anna as payback for the time years earlier when Anna's father and brother broke Kaskov's finger bones in the gulag where they were imprisoned together because they feared him as yet another possible competitor in the days when she was still alive. Svardak succeeds in snatching Cara from her concert tour and hiding her out in the wilds of West Virginia as he cackles over the fate she’ll share with her most recent predecessor, violinist Marian Napier. Fortunately, Cara’s guardians, forensic sculptor Eve Duncan and Detective Joe Quinn of the Atlanta Police Department, and Michael, Eve’s preternaturally empathic 10-year-old son, are fully equal to the challenge of locating her before she can follow Niccolò Paganini and Jascha Heifetz into history. So for that matter is Cara herself, who’s so eager to consummate her recently professed love for Eve’s childhood friend Jock Gavin that she’s doubly watchful and resourceful in planning her escape. But restoring Cara to the bosom of her family is only one more chapter in the war declared by Svardak, who’s “crazy, not a ruthless sociopath,” as Joe helpfully observes, and who’s bent on eliminating everyone Cara loves before he returns to sweep her up again, this time for keeps, as a final tribute to his dead sister.
The densely woven backstory, the oracular speeches, the elliptically motivated vendetta, and the constant recourse to near-supernatural powers all suggest that what Johansen (Vendetta, 2018, etc.) is writing is not a fairy tale for adults but a fairy tale with a mostly adult cast.Pub Date: March 26, 2019
ISBN: 978-1-250-07588-8
Page Count: 384
Publisher: St. Martin's
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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