by J.A. Enfield ‧ RELEASE DATE: Oct. 15, 2024
An engaging YA fantasy/SF series debut.
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A “time alley” transports a 10-year-old Chicago boy to Victorian London in Enfield’s series debut.
One late summer evening in Chicago after a family picnic, 10-year-old Mick Conway, unable to fall asleep, slowly becomes aware of an eerie, enticing sound, and then a growing, shimmering light, “a mix of blues swirling like juices in a blender.” Suddenly, he’s inside it, spinning, floating, banging around through one world after another, from desert to winter forest, completely disoriented. Just when he fears the harrowing experience may never end, the “time alley” drops him onto a rainy cobblestone street where three otheroddly dressed children greet him by warning him not to say his name or where he’s from. The place is London, and it’s 1853; Alison, Dolly, and Leech are Forsyth Institute students on patrol. Though it seems like an ordinary Victorian boarding school from the outside, the Forsyth Institute’s real purpose is to research how the time alleys work while rescuing children who “drop in” and teaching them to pass as ordinary Victorians. Every student and teacher at the Institute has also “dropped” from the future, having experienced a one-way trip that can only be taken before age 12. (Both the time alleys and the streets of London can be mortally dangerous, and there are strict rules about sharing information about the future for fear of changing it.) Though devastated to learn that he can’t go home, Mick (now nicknamed Gunner) gamely carries on, trying to adjust to the era’s formal manners, heavy clothing, and lack of electricity or modern plumbing. He soon discovers that he is able to see the details of time alleys more clearly than the others, and he starts to suspect something sinister is going on: The time alleys are becoming more and more erratic, and a suspicious hooded figure roams the Forsyth building at night. Despite the risks, Mick and his new friends secretly begin to investigate, only to uncover even more frightening possibilities.
Enfield’s writing is excellent, studded with vivid descriptions—the London sky seems “a damp rag, all smoke and dirty clouds”; a man’s shoes shine “like they had their own spotlights”; a tone-deaf singer is “enthusiastically attacking the melody”; and the telegraph is “steampunk texting.” Mick is observant, perceptive, and plucky, doing the best he can and maintaining a sense of humor in a situation that presents almost endless difficulties. The other students and faculty also display well developed personalities: Alison’s outward confidence masks deep sadness; Leech is always ready with a sarcastic quip; Dolly is insightful and fond of sweets; the librarian, Miss Emmet, is understanding and helpful; the headmistress is stern and intimidating. There is a great deal of background and scene-setting detailing the Institute’s customs (it dates back to the 1500s) and the features of time alleys, which take specific forms such as stirrings, whirlpools, glow-orbs, fairy paths, and fawkes, all of varying colors, sizes, and durations. There are occasional instances of foreshadowing before the main action gets going; things pick up in the second half, but the outcome feels somewhat rushed and incomplete, leaving the reader with more questions than answers. Nevertheless, the intriguing premise, relatable characters, and remaining mysteries will have readers eagerly awaiting the next book in the series.
An engaging YA fantasy/SF series debut.Pub Date: Oct. 15, 2024
ISBN: 9781961953222
Page Count: 300
Publisher: Wayzgoose Press
Review Posted Online: Dec. 3, 2024
Kirkus Reviews Issue: Feb. 15, 2025
Review Program: Kirkus Indie
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by J.A. Enfield
BOOK REVIEW
by J.A. Enfield
by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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