Somber and inspirational.
The Children’s Poet Laureate salutes 15 men and women, including one child, who spoke out and acted for equality and liberty, several at the cost of their lives.
The names are familiar: Mohandas Gandhi, Nelson Mandela, Jackie Robinson, Harvey Milk, Josh Gibson, Aung San Suu Kyi. They are less well-known: Mitsuye Endo, Helen Zia, Sylvia Mendez, Dennis James Banks, Muhammad Yunus. They are wives or mothers: Coretta Scott King, Mamie Carthan Till. One is a child, Sylvia Mendez, who wanted to attend a whites-only school in California. Three died too young on a dark road in Mississippi: Michael Schwerner, Andrew Goodman and James Cheney. All receive a stirring page of rhymed verse accompanied by a single- or double-page spread painting created by one of five artists: Jim Burke, R. Gregory Christie, Tonya Engel, John Parra and Meilo So. So’s bright colors against a white background speak of affirmation and pride for Kyi, Zia and Milk, while Burke’s somber palette evokes the fear of the three civil rights workers and the “nightmare world” of Mandela’s imprisonment. Parra decorates his pages with details from the lives of Mendez, Yunus and Endo. From political activists to an astronaut and from baseball legends to a typist in a World War II internment camp, they raised their voices and sometimes their fists.
Somber and inspirational. (thumbnail sketches) (Poetry. 10-16)Pub Date: Feb. 1, 2013
ISBN: 978-1-4521-0119-4
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: Dec. 1, 2012
Kirkus Reviews Issue: Dec. 15, 2012
Ultimately adds little to conversations about race.
A popular YouTube series on race, “Uncomfortable Conversations With a Black Man,” turns how-to manual and history lesson for young readers.
Acho is a former NFL player and second-generation Nigerian American who cites his upbringing in predominantly White spaces as well as his tenure on largely Black football teams as qualifications for facilitating the titular conversations about anti-Black racism. The broad range of subjects covered here includes implicit bias, cultural appropriation, and systemic racism. Each chapter features brief overviews of American history, personal anecdotes of Acho’s struggles with his own anti-Black biases, and sections titled “Let’s Get Uncomfortable.” The book’s centering of Whiteness and White readers seems to show up, to the detriment of its subject matter, both in Acho’s accounts of his upbringing and his thought processes regarding race. The overall tone unfortunately conveys a sense of expecting little from a younger generation who may have a greater awareness than he did at the same age and who, therefore, may already be uncomfortable with racial injustice itself. The attempt at an avuncular tone disappointingly reads as condescending, revealing that, despite his online success with adults, the author is ill-equipped to be writing for middle-grade readers. Chapters dedicated to explaining to White readers why they shouldn’t use the N-word and how valuable White allyship is may make readers of color (and many White readers) bristle with indignation and discomfort despite Acho’s positive intentions.
Ultimately adds little to conversations about race. (glossary, FAQ, recommended reading, references) (Nonfiction. 10-14)Pub Date: May 4, 2021
ISBN: 978-1-250-80106-7
Page Count: 320
Publisher: Roaring Brook Press
Review Posted Online: May 10, 2021
This useful but uneven volume summarizes the legend of the Trojan War, then describes the archaeological excavations at Hisarlik, the Turkish site believed to have been Troy. After a brief (though ponderous) introduction comes a graceful 20-page retelling of how, according to Homer, the Greeks fought at Troy. Elegant red-and-black illustrations every few pages echo Greek vases, part of the overall attractive book design. Readers must then switch gears for the final 35 pages, illustrated with a handful of photographs, which describe the main excavations, from Heinrich Schliemann in 1870 through several more scientific expeditions up to recent times. The authors, a writer and a classical scholar, review hypotheses about the site and occasionally weave in anecdotes, but the overall scheme is chronological and the writing straightforward, without the spark of Laura Amy Schlitz’s biography, The Hero Schliemann (2006). However, readers may find the recap of The Iliad enjoyable and the rest, including a timeline and recommended websites, helpful for reports. Given the source material, it should be better. (bibliography, source notes, index) (Nonfiction. 11-14)
Pub Date: Feb. 1, 2011
ISBN: 978-1-58089-326-8
Page Count: 80
Publisher: Charlesbridge
Review Posted Online: Jan. 8, 2011
Kirkus Reviews Issue: Jan. 15, 2011
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