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CAULDRON

Not peak McDevitt—slow to develop and not especially surprising—but workmanlike and brimming with the author’s trademark...

Latest addition to McDevitt’s longstanding space-adventure series (Odyssey, 2006, etc.).

By the year 2255, interstellar flight is all but dead, with only a few diehards like Prometheus Foundation’s director Rudy Golombek keeping the dream alive. Along comes young physicist Jon Silvestri, insisting that he can make the failed Locarno star drive work. Retired starship pilot and Foundation fundraiser Priscilla “Hutch” Hutchins believes him, and persuades Rudy to offer one of his remaining ships to test the drive. The test fails, badly, and spaceflight seems doomed. But then former starship pilot Matt Darwin, now selling real estate in Washington, D.C., has the bright idea of using an old lander now parked on a local school’s lawn. Matt puts together a fundraising campaign (so carefully drawn that it could serve as a blueprint for reviving America’s current, semi-moribund space program) and this time, after some heart-stopping moments, the drive’s a success—indeed, it’s so fast that the center of the galaxy is now only three months’s travel away. Funds now pour in, and Hutch, Jon, Matt, Rudy and science journalist Antonio Giannotti decide to take two ships on a voyage of exploration. Their ports of call: the planet at the heart of a mysterious galaxy-wide surveillance operation; the origin of an equally mysterious message from space recorded by Hutch’s father; a black hole up close and personal; and finally, the source of the hostile and seemingly purposefully directed “omega” clouds that have ravaged the galaxy for thousands of years.

Not peak McDevitt—slow to develop and not especially surprising—but workmanlike and brimming with the author’s trademark low-key charms.

Pub Date: Nov. 6, 2007

ISBN: 978-0-441-01525-2

Page Count: 384

Publisher: Ace/Berkley

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2007

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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