bookshelf

NO SUCH THING

Name: NO SUCH THING
Author: Jackie French Koller
ISBN: 1-56397-490-8

by Jackie French Koller & illustrated by Betsy Lewin ‧ RELEASE DATE: Feb. 1, 1997

bookshelf

Any child who has been convinced of the presence of a monster at bedtime will feel vindicated by this satisfying story from Koller (A Place to Call Home, 1995, etc.). During his first night in his new home, Howard is fearful of a monster he thinks is under the bed. His mother assures him there is none, and leaves. Meanwhile, under the bed, Monster's mother is reassuring him that there are no such things as boys, one of whom he is certain is on top of his bed. She tucks him in and leaves. After several similar confrontations, the exasperated mothers have had it, so the boy and the monster must deal with each other directly. Conquering their fears, each has a moment of hysterical laughter over the idea that he might eat the other. Then they hatch a terrific plan, trading places on the bed and calling upon their mothers one last time. Readers are left to guess how the mothers will react. The versatile Lewin works in flowing watercolors, a loose style that makes the overlap between the boy's and monster's worlds completely acceptable and intensifies the story's humor. This tautly told story in which two stern mothers get their comeuppances is irresistible. (Junior Library Guild selection) (Picture book. 4-8)

Pub Date: Feb. 1, 1997

ISBN: 1-56397-490-8

Page Count: 32

Publisher: Boyds Mills

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1997

Categories:

CHILDREN'S GENERAL CHILDREN'S

- BOOK REVIEW
PETER SPIT A SEED AT SUE
by Jackie French Koller & illustrated by John Manders

- BOOK REVIEW
SEVEN SPUNKY MONKEYS
by Jackie French Koller & illustrated by Lynn Munsinger

- BOOK REVIEW
HORACE THE HORRIBLE
by Jackie French Koller & illustrated by Jackie Urbanovic

bookshelf

A DOG NAMED SAM

by Janice Boland & illustrated by G. Brian Karas ‧ RELEASE DATE: April 1, 1996

bookshelf

A book that will make young dog-owners smile in recognition and confirm dogless readers' worst suspicions about the mayhem caused by pets, even winsome ones. Sam, who bears passing resemblance to an affable golden retriever, is praised for fetching the family newspaper, and goes on to fetch every other newspaper on the block. In the next story, only the children love Sam's swimming; he is yelled at by lifeguards and fishermen alike when he splashes through every watering hole he can find. Finally, there is woe to the entire family when Sam is bored and lonely for one long night. Boland has an essential message, captured in both both story and illustrations of this Easy-to-Read: Kids and dogs belong together, especially when it's a fun-loving canine like Sam. An appealing tale. (Picture book. 4-8)

Pub Date: April 1, 1996

ISBN: 0-8037-1530-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1996

Categories:

CHILDREN'S GENERAL CHILDREN'S

bookshelf

HOME

by Carson Ellis ; illustrated by Carson Ellis ‧ RELEASE DATE: Feb. 24, 2015

Visually accomplished but marred by stereotypical cultural depictions.

bookshelf

Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”

Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.

Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)