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DON'T SHOOT THE GENTILE

A greenhorn professor finds unexpected camaraderie and community when he takes a teaching job in Utah, challenging his preconceptions of small-town life.

Work (Windmills, the River & Dust: One Man’s West, 2005, etc.) serves up a gently humorous take on the classic “stranger in a strange land” narrative as he details his transition from an upstart English major in the 1960s to the lone non-Mormon professor at the College of Southern Utah. Accepting the position in conservative Cedar City on a whim, Work and his family sojourned outside of their comfort zone to experience a West that, while geographically not so distant, bore little cultural resemblance to their Fort Collins home. The Cedar Citizens forswore caffeine, tobacco and alcohol; attended their temple nearly every day; hunted jack rabbits with heavy artillery; and, in homage to the beehive’s omnipresence as Utah’s national emblem, sported heavily shellacked hairdos long after hippies had made straight, untamed hair fashionable. Despite some initial culture shock at the lack of coffee in the teacher’s lounge—a situation that the author countered by holding clandestine cocktail parties at his house for those willing to occasionally stray—Work came to respect his colleagues’ devotion to their faith as well as their industriousness and willingness to welcome an outsider. Musing on the prominence of deserts in religious mythology, he also explores the mystique of the Utah landscape and its powerful hold on the imagination, as well as the hidebound language that traditionally divides women’s accomplishments from men’s. Throughout this slim memoir, Work displays a genuine affection for his colleagues and neighbors that simultaneously allows him to spoof their eccentricities. Distinctly regional in tone yet universal in scope, the book offers a cozy homage to a more innocent time and place. 

 

Pub Date: Oct. 1, 2011

ISBN: 978-0-8061-4194-7

Page Count: 152

Publisher: Univ. of Oklahoma

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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