A sympathetic, evenhanded biography of a man notorious for his savage wit.
Biography of the acerbic, irreverent comedian who inspired a new generation of performers.
When Mort Sahl (b. 1927) debuted on stage in 1953 in San Francisco, he wanted his pithy social and political jibes to change comedy. In an entertaining, abundantly—sometimes overwhelmingly—detailed biography, Curtis (William Cameron Menzies: The Shape of Films to Come, 2015, etc.), biographer of Spencer Tracy, Preston Sturges, and W.C. Fields, makes a strong case for Sahl’s influence. For Woody Allen, Sahl opened up “a whole new style of humor” that led him to become a performer rather than just a writer. Dick Cavett called Sahl’s performances “stunning.” Among early admirers were Jack Benny, Groucho Marx, and Milton Berle. Skewering presidents, platitudes, and hypocrisy, Sahl got his material from daily newspapers, which he often carried onstage. “Wherever there is political bloat,” Hubert Humphrey remarked, “Mort sticks a pin in it.” He set out to shock and discomfit. “Are there any groups we haven’t offended yet?” Sahl often asked his audiences. Curtis had Sahl’s cooperation and also interviewed colleagues, one ex-wife, and assorted friends. While celebrating Sahl’s career, he is forthright about his subject’s many shortcomings. Foremost among them was a tendency to bitterness, anger, and paranoia. He was certain, for example, of an “industry-wide conspiracy” to keep him off TV even though his appearances were not always successes. He was convinced, as well, that John F. Kennedy’s assassination was the result of a conspiracy and, to the point of obsession, embraced the theories advanced by Mark Lane and Jim Garrison. “In time,” Curtis asserts, “the conspiracy Sahl blamed for keeping him unemployed got conflated with the one he saw as being responsible for the death of the president.” The author follows Sahl’s life chronologically, accounting for every nightclub, movie, TV, radio, and stage appearance; the women he dated, married, and broke up with; the colleagues he befriended or alienated; and the demons that beset him.
A sympathetic, evenhanded biography of a man notorious for his savage wit.Pub Date: May 1, 2017
ISBN: 978-1-4968-0928-5
Page Count: 400
Publisher: Univ. Press of Mississippi
Review Posted Online: Feb. 12, 2017
Kirkus Reviews Issue: March 1, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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