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PETE THE CAT: PLAY BALL!

From the I Can Read! series

No home run here.

Ultracool Pete the Cat turns his attention to baseball.

Pete’s team, the Rocks, is playing the Rolls. Pete is every measure of a good sport as he encourages his teammates. He isn’t, however, a skilled player. He strikes out and drops a fly ball, and though he reaches first base on a walk and runs as fast as he can, he is thrown out at home plate. “Pete is not sad, He did his best.” After all, his team won, and he had fun. It could be a great antidote to Little League pressure to be number one at all costs. But there is something off-putting about the tone, for there appears to be a lack of any real involvement in Pete’s cool, calm manner, and the repeated insistence that he is unaffected by his performance feels robotic. Does he love the game or intend to improve? Instead, the baseball game seems just another setting for Pete to demonstrate his cool. Cartoons nicely complement the text, but here too, no change of expression is apparent on Pete’s countenance, nor on any of the players’. The early-reader format is new to this series and hasn’t the lilt of Dean’s earlier works, so this might not be the way to expand the franchise.

No home run here. (Early reader. 3-5)

Pub Date: March 1, 2012

ISBN: 978-0-06-211067-1

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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PIG THE PUG

From the Pig the Pug series

Children who love dogs will find this amusing the first time through, but the humor palls quickly.

In rhyming text, a bug-eyed pug named Pig stubbornly refuses to share with the almost equally bug-eyed Trevor, the “wiener dog” he lives with—and soon gets his comeuppance.

The book begins showing the eponymous dog astride a large, red bowl of dog food, tongue hanging out and all four paws gripping the bowl. It perfectly matches the text: “Pig was a Pug / and I’m sorry to say, / he was greedy and selfish / in most every way.” A bit of humor comes through when the text plays on the adage about pigs by reminding readers that “pugs cannot fly.” However, most of the text is composed of trite, tired rhymes. The ending is a punch line whose funny picture will have little ones giggling. However, the ultimate “lesson” is a rather dark cynicism, more appropriate to children older than the age suggested by the rhymes, the art, and even the publisher. There may be some vicarious thrills for those who have witnessed excessive selfishness. The artwork is humorous, although Pig’s appearance is sometimes more grotesque than funny—particularly when he shouts at Trevor. Both male dogs’ facial expressions and body language add to the humor, and dog lovers will appreciate Pig’s array of colorful toys. Scansion is spotty, which should not happen in verses so dependent on rhythm and rhyme to entertain their young audience.

Children who love dogs will find this amusing the first time through, but the humor palls quickly. (Picture book. 3-5)

Pub Date: Dec. 27, 2016

ISBN: 978-1-338-11245-0

Page Count: 32

Publisher: Scholastic

Review Posted Online: Aug. 29, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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