Mad Max meets dystopian London bloodsuckers three years after the Allies lose WW II, in a what-if tale by the author of (among 18 others) the much richer, or at least completely different, Portent (1996). Hitler hits London with his V1 rockets but still finds himself losing the war. So he fires off V2 rockets, which hold a deadly virus that freezes human blood and causes fast death, although some rare victims die more slowly. Only that three percent of the population with AB negative blood survive the virus—so that gangs of slowly dying Blackshirts roam the city looking for AB-negs whose blood they hope to exchange for their own. One of those fighting the Blackshirts as they pursue him is Hoke, an American once with the RAF who now holes up in a vacated luxury hotel, the Savoy. Hoke has been cleaning the streets around the Savoy of dead bodies and hauling them to a stadium where he expects someday to have a mass cremation, his little gift to mankind. Meantime, he races about on his Matchless 350 motorcycle, locked into anger against the Germans because the virus killed his wife and child, while the Blackshirts are Nazi sympathizers sprung from England's worst prewar racists. So when an AB-neg German pilot and two women save Hoke from an attack by Blackshirts at the National Gallery, Hoke leads them to safety through Tube lines filled with dried corpses and houses them in his well-stocked digs at the Savoy. Eventually, the Blackshirts are led to the group by one of the women, an upper-class Nazi sympathizer, and once more the chase is on. All praise to Herbert for his haunting vision of Ghost City, the hotels and subways and buses filled with the long-dead and dried-out. But the plot goes forward like a tiresome movie crunchfest, action scene upon action scene, boom upon boom.
Pub Date: July 1, 1997
ISBN: 0-06-105293-0
Page Count: 272
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1997
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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