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BURNS

A BIOGRAPHY OF ROBERT BURNS

In this hefty, definitive, and humorless life of Scottish poet Robert Burns (1759-96), Mackay, acknowledged ruler of Burns country—editor of The Burns Chronicle, the complete works (1986), the letters (1987), and the concordance (1989)—leads revisionary forces in rescuing Burns from what he believes is an undeserved reputation for lust and debauchery. Most of the more than 900 volumes of Burns biography published since the poet's death have perpetuated the myth of the simple, impoverished ploughman who fathered at least 70 illegitimate children and drank himself to death. Concerned with the life rather than the works, as well as with the posthumous scholarly tradition, Mackay maintains that Burns was, in fact, an ``honest fellow'' (as he called himself on one occasion)—a sober, industrious, pious, and patriotic citizen who married the mother of his nine children; supported the four or five he had with various other women; ran a 170-acre farm; rode 200 miles a week as a tax collector; kept intricate account books; composed reams of poetry; collected volumes of native songs; and was addicted—if at all—only as a ``workaholic not an alcoholic.'' Mackay challenges every legend in the scholarly tradition: Burns's education; his relations with the Church; the origins and objects of his most famous poems; his reputed homosexual relationship; and the identity of ``Highland Mary,'' who supposedly inspired his greatest poetry. From genealogies to legalisms, Freemasons, and farm subsidies, the author overcomes the opposition with irrefutable and weighty evidence. But however convincing Mackay is—however flawless his research and arguments—there remains a need to believe in another Burns: the flawed, vain, lusty, convivial poet driven by ungovernable appetites; Dionysian enough to write the love songs, the bawdry, and the drinking ballads he's remembered by; familiar enough with fellowship, foolishness, and the ``cup of kindness'' to write ``Auld Lang Syne.''

Pub Date: Aug. 1, 1993

ISBN: 1-85158-462-5

Page Count: 749

Publisher: Mainstream/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1993

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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