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WHILE NO ONE WAS WATCHING

A stolen rabbit connects three neglected children and a pair of young sleuths in this busy, overpopulated story from Conly (Crazy Lady, 1993, etc.). Bad-news cousin Wayne leads Earl Foster, 11, and his learning-disabled brother, Frankie, into an affluent neighborhood on another bike-stealing expedition; Frankie carries away a pet rabbit, instead sneaking it into the house where he and his siblings live with Aunt Lula until their father, laid-off, can get back on his feet. Addie, the rabbit’s devastated owner, gets little help from police, but finds an unexpected ally in her neighbor, Maynard, a lonely adopted classmate born in India. While the two are gathering clues, Aunt Lula vanishes, leaving Earl to care for his two siblings as best he can. Conly develops her story at a deliberate pace, splitting the point-of-view among no fewer than five characters. Angela, a bedwetter with a broken yardstick for a magic wand and an unfettered imagination, makes the rest of the cast seem generic; a pivotal scene is farfetched at best, and a wonderfully tidy resolution that finds Addie with her rabbit, the Fosters with their father, and Wayne in jail is equally contrived. The book is readable, but the capable Conly uses artifice to bring the plotlines together, and the Fosters are not as memorable as the abandoned children in Cynthia Voigt’s Homecoming (1981) or Jackie Koller’s A Place to Call Home (1995) (Fiction. 11-13)

Pub Date: May 1, 1998

ISBN: 0-8050-3934-1

Page Count: 233

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1998

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GUTS

THE TRUE STORIES BEHIND HATCHET AND THE BRIAN BOOKS

Paulsen recalls personal experiences that he incorporated into Hatchet (1987) and its three sequels, from savage attacks by moose and mosquitoes to watching helplessly as a heart-attack victim dies. As usual, his real adventures are every bit as vivid and hair-raising as those in his fiction, and he relates them with relish—discoursing on “The Fine Art of Wilderness Nutrition,” for instance: “Something that you would never consider eating, something completely repulsive and ugly and disgusting, something so gross it would make you vomit just looking at it, becomes absolutely delicious if you’re starving.” Specific examples follow, to prove that he knows whereof he writes. The author adds incidents from his Iditarod races, describes how he made, then learned to hunt with, bow and arrow, then closes with methods of cooking outdoors sans pots or pans. It’s a patchwork, but an entertaining one, and as likely to win him new fans as to answer questions from his old ones. (Autobiography. 10-13)

Pub Date: Feb. 1, 2001

ISBN: 0-385-32650-5

Page Count: 150

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2000

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DEAD END IN NORVELT

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

An exhilarating summer marked by death, gore and fire sparks deep thoughts in a small-town lad not uncoincidentally named “Jack Gantos.”

The gore is all Jack’s, which to his continuing embarrassment “would spray out of my nose holes like dragon flames” whenever anything exciting or upsetting happens. And that would be on every other page, seemingly, as even though Jack’s feuding parents unite to ground him for the summer after several mishaps, he does get out. He mixes with the undertaker’s daughter, a band of Hell’s Angels out to exact fiery revenge for a member flattened in town by a truck and, especially, with arthritic neighbor Miss Volker, for whom he furnishes the “hired hands” that transcribe what becomes a series of impassioned obituaries for the local paper as elderly town residents suddenly begin passing on in rapid succession. Eventually the unusual body count draws the—justified, as it turns out—attention of the police. Ultimately, the obits and the many Landmark Books that Jack reads (this is 1962) in his hours of confinement all combine in his head to broaden his perspective about both history in general and the slow decline his own town is experiencing.

Characteristically provocative gothic comedy, with sublime undertones. (Autobiographical fiction. 11-13)

Pub Date: Sept. 13, 2011

ISBN: 978-0-374-37993-3

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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