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ODD MOM OUT

A poignant critique of mommy cliques and the plight of single parents.

Headstrong advertising executive tries to meet the demands of single motherhood.

Marta Zinsser has always insisted on taking the road less traveled and thumbing her nose at authority. From her combat boots and muscle bike to launching her own advertising agency, Marta is happiest when shattering stereotypes and going it alone. While this independent streak lands her some great advertising clients, it also lands her in hot water with her impressionable ten-year-old daughter, Eva. Eva feels abandoned as Marta pushes herself to make a financial success of her business. All the other moms volunteer at school, dress in appropriately feminine clothes and have busy social lives. Like all tweens, Eva wants to fit in and be popular. This sensitive soul also senses her mom’s loneliness and thinks if Marta softens her look and gets involved in Seattle’s social scene, happiness will blossom. Marta cringes at the thought of fitting in with the mommy “A Team,” but in an effort to appease her daughter, she starts to become more involved. Upon ending her self-imposed exile, Marta manages to capture the attention of a handsome bachelor and starts dating. But she quickly overextends herself and jeopardizes her firm. This provocative novel argues that it is impossible to have it all. Porter (Flirting with Forty, 2006, etc.) makes plain that something has to give when one is trying to juggle family, love and work. The draining pace of Marta’s life comes across convincingly, and Porter’s got a knack for getting into the heads of the pre-teen set; Eva’s worries are right on the mark.

A poignant critique of mommy cliques and the plight of single parents.

Pub Date: Sept. 27, 2007

ISBN: 978-0-446-69923-5

Page Count: 352

Publisher: 5 Spot/Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2007

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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