by Jane Yolen ; illustrated by Jen Corace ‧ RELEASE DATE: March 2, 2021
The art doesn’t rise to meet the worthy concept.
Referring to the inner lions and tigers of others, she avows: “I wear my bear on the outside. / It’s like wearing a suit of armor. / She keeps out the howls, / the growls. / She keeps me safe.” In school or a treehouse, at the grocery store or on a trampoline, Bear appears to both shield the narrator from harm and eagerly engage in activities. While they don’t always agree, their divergences are mild and equable: “When we do art projects, / Bear paints blue. / I use red. / Sometimes we make / purple instead.” Yolen’s quiet text, seasoned with occasional rhyme, suits this tale of resilience. She gently celebrates how children build their own competencies by adopting imaginary friends and imbuing stuffed toys with their own increasing social-emotional fitness. Corace’s illustrations depict Bear as a huge stuffie, claw-free and benign; she seems more enveloping than protective—hardly armorlike. The narrator has pale skin and wears her hair in a black pageboy. Background characters are diverse, but all have identically simple, stylized features: round dots for eyes, D-shaped smiles, and rosy circles on their cheeks. Children are depicted skateboarding, cycling, and roller-skating without helmets—a casual omission that contradicts the theme of safety and well-being.
The art doesn’t rise to meet the worthy concept. (Picture book. 3-7)Pub Date: March 2, 2021
ISBN: 978-0-8234-4613-1
Page Count: 32
Publisher: Neal Porter/Holiday House
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
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by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Max Greenfield ; illustrated by James Serafino ‧ RELEASE DATE: Sept. 3, 2024
Relatable guidance for nocturnal worriers.
Actor and author Greenfield’s latest picture book follows a child kept awake by anxieties.
The pajama-clad narrator huddles in bed among the blue shadows of a bedroom at night. “Every time I close my eyes, I’m afraid of all the scary stuff I see.” Bright, candy-hued clouds of cartoon images surround the child, lively, disruptive depictions of the what-ifs and exaggerated disasters that crowd out sleep: war (we see the world pop “into a piece of popcorn”), kidnapping (pirates carry away the child’s teddy bear), falling “up” into the sun, tarantulas in the toilet, and a menacing-looking dentist. These outsize insomnia inducers may help readers put their own unvoiced concerns into perspective; after all, what frightens one person might seem silly but understandable to another. Our narrator tries to replace the unsettling thoughts with happy ones—hugging a baby panda, being serenaded by a choir of doughnuts, and “all the people who love me holding hands and wearing every piece of clothing that they own.” But sleep is still elusive. Finally, remembering that there’s a difference between reality and an overactive imagination, the child relaxes a bit: “Right now, everything is okay. And so am I.” Reassuring, though not exactly sedate, this tale will spark daytime discussions about how difficult it can be to quiet unsettling thoughts. The child has dark hair and blue-tinged skin, reflecting the darkness of the bedroom.
Relatable guidance for nocturnal worriers. (Picture book. 4-7)Pub Date: Sept. 3, 2024
ISBN: 9780593697894
Page Count: 32
Publisher: Putnam
Review Posted Online: May 31, 2024
Kirkus Reviews Issue: July 1, 2024
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