Fifteen pieces from a veteran writer (The Body in Four Parts, 1993; Obscene Gestures for Women, 1989, etc.) that only sometimes get under the skin or into the heart. Kauffman gathers up symbols in a half-casual way so that they seem—whether they really do or not—to reverberate on a single theme. In ``Nightmares for Everybody,'' for example, two apparently gay boys and two adults watch a meteor shower—and one boy reveals that his unstable mother has written to him in her own menstrual blood. The same chance conjunction occurs in ``Girl Games,'' about one woman driving another into Detroit to visit her lover; the driver goes to read on the river front (``The words look like live things. . . . And put together, some of them even make sense''), where she has a Salinger-esque conversation with a little girl. Kauffman's seemingly effortless writerly skills are everywhere apparent, whether in sketches like ``The Ocean with Everything In It'' (a young man becomes obsessed with death), modernist exercises like ``Signed Away'' (surreal, Barthelme-inspired pages portray Emily Dickinson as a modern-day biker), or equally amusing group portraits like ``Baku's Theory'' (an ``immigrant support group'' is formed on the theory that ``It takes fifteen years to know where you are, and to know if it makes sense to be there''). At book's center is ``26 Acts in 26 Letters,'' a wildly inventive but exercise-bookish description of the sex lives of the alphabet (``At work, M's panties are streaked and sticky; N carries the Free Press with him to cover his erection''). Other love stories follow, as do more couples and more characters, including the eccentric Eureka of ``Eureka in Toledo, Weather Permitting,'' of whom the narrator says, arguably apropos of Kauffman, that ``She lurched through words, fell back, picked up a story somewhere else. She wasn't incoherent, but freewheeling, I would say.'' Skilled wordsmithing that's often brilliant, less often moving, and too often dusty in spite of itself.
Pub Date: May 1, 1997
ISBN: 1-55597-252-7
Page Count: 142
Publisher: Graywolf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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