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LOVE IS REAL

An admirable message delivered in a lackluster manner—pass.

Real love is expressed through the many seemingly small acts that take place every day.

Brown uses textured paper to create digital collages that show bear, bunny and fox families engaged in a wide range of activities. Usually, an older or bigger animal is helping or playing with a younger or smaller one. Occasionally, the younger ones assist one another, as in climbing a tree or untangling knotted fur. Playing hide–and-seek, applying a bandage, freeing a kite from a tree and tying shoelaces are some gestures of real love. Lawler, perhaps in an attempt to stay true to the rhyme structure, provides at least one singularly odd example: “Love plays lion in a crouch / and snuggles closer on the couch.” One side of the spread shows a young bunny about to pounce on the ball of yarn his mother is knitting from, while the next page features the two side by side with the little rabbit curled up under a blanket. In the end, the message is clear: “Love does all these little things / to fill your heart until it sings. / Love is real the whole day through. / It’s always there— // from me to you.” Although the art may charm the preschool set, the saccharine and singsong text fall flat.

An admirable message delivered in a lackluster manner—pass. (Picture book. 3-5)

Pub Date: Dec. 23, 2013

ISBN: 978-0-06-224170-2

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: Sept. 17, 2013

Kirkus Reviews Issue: Oct. 1, 2013

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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WITH ALL MY HEART

Sweet.

A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.

With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”

Sweet. (Picture book. 3-5)

Pub Date: Dec. 3, 2019

ISBN: 978-1-68412-910-2

Page Count: 32

Publisher: Silver Dolphin

Review Posted Online: Oct. 12, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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