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TRISTIMANIA

A DIARY OF MANIC DEPRESSION

Fortunately for everyone who has been affected by bipolar disorder, Griffiths—and her notebooks—survived the journey.

A visceral account of the turmoil experienced within a manic-depressive breakdown.

Griffiths (A Country Called Childhood: Children and the Exuberant World, 2014, etc.) is a dedicated recorder of her experiences. "My notebooks have always been very precious to me,” she writes, “and I travel with them wrapped, waterproofed, closer to me than my passport or money. They are footprints of my thoughts, tracks of journeys, curiosity-paths and desire-lines." What she writes in these notebooks eventually becomes stories, essays, and books, but the notebooks have also provided her with a space to try and make sense of her own mind. Griffiths, a winner of the Barnes & Noble Discover Award, has bipolar disorder and can be susceptible to periods of mania and depression, the risk of both being heightened by exhaustion and stress. In this book, the author explores the period of time after a lengthy book project left her depleted. She was aware of being at risk of a mental break but far enough into it by the point of realization that treatment became exceedingly difficult. However, she was determined to capture as much of it as possible: the "honey on the razor's edge" of being able (or unable) to see things in new ways, hear music differently, ride the rapids of a torrent of ideas and thoughts. Griffiths is a skilled writer who ably harnesses this flood of emotions and thoughts, and her descriptions of the mania and depression are never unwieldy. There were countless times when she could have stopped writing, but Griffiths saw it through, exploring all the places her mind traveled: Greek and Roman views of mental health, the roles of friends and pets, the failings and lifelines of psychotherapy. Eventually, in order to get out of her own head and “see far horizons again,” she set out on the 800-kilometer Camino de Santiago in Spain.

Fortunately for everyone who has been affected by bipolar disorder, Griffiths—and her notebooks—survived the journey.

Pub Date: June 14, 2016

ISBN: 978-1-61902-726-8

Page Count: 224

Publisher: Counterpoint

Review Posted Online: March 13, 2016

Kirkus Reviews Issue: April 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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